You get an idea
You get to work
You get to put it (them) on the wall
For Sale as a triptych – £250: Contact me for more info.
I’ve come to a stop on this – so will let it rest for a few days then look at it again and decide whether to develop or abandon it
‘Add New Post’
This blog / website / whatever it is called now, wants me to add a new post every time I come here. If I do make the effort to add a new post it normally means I’ve got something specific to write about. Whether it’s one of my feeble attempts to market my books and/or art or whether it’s one of those rare occasions when I get wound up enough about some topic, usually political, or vegan-related, to feel a need to make some comment about it.
There is a third reason I add new posts, and that is the most important reason – it’s when I share some of my creative work, like a short story, or a poem, or some rant about parallel universes and/or the nature of reality.
But sometimes there are gaps when I have nothing specific to say, and I don’t feel particularly inclined to share some creative work, yet I still feel the urge to add a new post.
This post is a result of one of those gaps, there is no reason for this post other than to fill it (the gap).
Yet . . .
I do have something to say, I’m sure I do . . . . . . . . . . . . . . .
New research has indicated that people should eat 10 portions of fruit and/or vegetables every day if they want to achieve a longer and healthier life.
I wondered what 10 portions would look like so I raided the fridge and fruit bowl and added fruit and veg until it weighed 800 grams, which, according the the NHS, is what 10 portions weigh at 80 grams each.
I’m not sure what type of writing I prefer but if I can probably narrow it down to two – they are writing novels and writing film or TV scripts.
I think it’s because each of those forms allow you to write proper ‘stories’ with plots and characters. For example it’s exciting to throw a random plot twist at the characters and see how they react; then follow them to the end to see how everything gets resolved.
There’s time to get to know the characters a bit, time to chill with these new and interesting people. It’s also a bit like that with painting, especially painting portraits, where you don’t know where that first mark on the canvas is going to lead, who is going to emerge from that mess of form and colour.
I suppose that it’s a bit like that for all art-forms – the creation of something out of nothing but an idea. But then, isn’t it a bit like that for science and engineering too? Isn’t it a bit like that for every facet of human existence, from making a cup of tea to designing a spaceship?
There’s nothing special about writers and artists.
Anyway, my work-in-progress includes adapting two of my books into television scripts.
It’s going great so far, in fact both books seem to lend themselves to the visual style of a television script. The books are Bums and Boys from the Backfields and each story is being developed into a six part TV drama. Both books are set in the industrial/post-industrial town of Elchurch on the South Wales coast but they are very different books in other respects.
Here’s a sneak peek
Around ten past midnight on the cusp of Monday February 7th and Tuesday February 8th, 2017.
I wrote a little blog article between yesterday (Sunday) and today (Monday). It’s all about Trump and Brexit. Its premise/conclusion is that the ‘Libtards’ have to apologise before we can move on and develop a better system (if there is even a need for a ‘system’). But, a better system of what?
Anyway, despite it having been a miserable day in some ways, the fact that I finished an article of sorts has made it a good day. It wasn’t easy and I had to plough on despite feeling that it would never make sense. In the end I think it does. It’s called ‘It’s not too late to say sorry’.
Less than a week ago, I published Blodyn, a book of my poetry, old and new, despite having only recently written blogs about how rubbish poetry, or at least the poetry industry, is.
Anyway, putting Blodyn together has sparked anew my interest in and love of writing poetry, so here goes:
Verses for a purpose
They need bundling
collecting in a net
They need releasing
one by one
They need repeating
Each one is a gem
a coruscating gem
A method of seeing
Caress them in your hands
Speak them with your mouth
Stroke them with your voice
Bring them home
Let them gather
Let them drift
Let them fly
Catch them as they pass
Love them while they last
Stars are special
Stars are light
Stars are real
Stars are bright
Must be time for bed; it’s nearly one a.m.
The world we thought we understood is in meltdown after the victories of Donald Trump and the Brexiteers, and there is a general air of despondency lingering like cheap perfume around most of the people I know. I think this is because they belong to the demographic now being referred to by the victors as ‘Libtards’, i.e. Liberal Retards.
I suspect that many people who don’t normally vote actually made an effort and took part in those elections in order to stick it to what they were told is the privileged elite. If that’s true then I can understand why, since they probably share my under-privileged working-class background and have no connection to the smug comfortably-off professionals who, over the decades, came to dominate government and political organisations like the Labour Party in the UK and no doubt the Democratic Party in the USA. Continue reading
15/3/89 – 16/3/89 Midnight
Late and alone again. The cigarette end crushed in the ashtray, the insect trapped in the lampshade and the television in the background. It’s all really in the background even my hand scribbling on the paper, my own thoughts. Earlier my own weak flesh succumbed to the curse of overeating, my own lungs demanded too much cigarette smoke. Now I am ensconced again in my satiated accursed body.
Safe in the warm bosom of the living room, sitting on the edge of the dilapidated sofa, my obesity squashed against my thighs, feeling the awful fullness again.
The spiritual human trapped in the world. The world continues to turn and my own thoughts continue to whirl. Sleep is the blessing, if I can. Timing is crucial, if I go to bed too early, my acid stomach will wake me at two in the morning; too late, and I will be overtired, hyped up and full of dreams. Distraction is crucial, something for my whirling mind to latch onto. From the background the late night broadcast from the Open University; ‘Three psychologists comment on the play of some 1 to 4 year olds.’ How wonderful to be so wrapped up in a vocation and believe that in some way you are making a contribution to the flash of light that is man’s brief sojourn on this planet.
He sees the small one, eyes down, knees up, trying to understand why he’s just been stung by a wasp in the sun. He wants to tell him not to stay in that place; he wants to tell him to shake it away. Look, everything’s going to be all right.
But he can’t, he has to shake this away even though he suspects it may not be true. Didn’t he read something the other day about memory? How it is simply a mental construct from one physical part of the brain. How that part can be damaged or destroyed. The being can still function but more on autopilot than by intention.
Maybe his memory is damaged; maybe what he defines himself as is gleaned from broken brain cells. Whatever – it doesn’t matter anyway, because this life is a one-way trip.
He sighs, yawns, gets off the sofa and stares at a fly trapped between the net curtain and the glass. Alone, he’s alone, he’s so alone.
And now it’s the morning of March 15th 2016. One of the things that’s prompted this bit of live writing is my desire to reach 100,000 words. As I type I can see the word-count at the bottom of the screen and it says, hang on, I’ve got to catch it unaware because of course it will increase as soon as I type in the number: The number of words that are in this book so far is 98,951 (including the number 98,951), but of course it’s more already – it’s relentless, nothing really stops, everything changes.
It’s a bit like that with life – as soon as you think you’ve got a handle on it, the second you think you’ve got it sussed – it changes, it becomes something else, that’s one of the consequences of getting older, you lose the certainty of youth, and when I say youth I don’t mean childhood, I mean adulthood, from your early twenties or whenever it is you feel as if you’ve grown up at last, all the way through to old age in your sixties or whenever it is you feel as if you’re old.
On December 15th 2016 from 5:45pm until 7:00pm I will be at Cardiff Central Library reading from and discussing two of my novels – Boys from the Backfields and Cheats and Liars. I might also discuss some of my other books and possibly talk a little bit about the publishing process.
Boys from the Backfields is a murder mystery set over half a century. The story begins in the 1960’s when Mick a young teenage boy and his little gang witness the murder of Betty Fish while out blackberry picking around the Backfields council estate in South Wales. Mick is haunted by this tragic event for the next 50 years until finally the truth is revealed and the mystery is solved.
Cheats and Liars is set in an affluent inner suburb of Cardiff and follows Brian Llewelyn, ‘The Greatest Living Artist in Wales’ as he comes to realise that his success depends on the sycophants, cheats and liars that share in it. The novel follows Brian as the foundations his life is based on crumble from under him and he has to redefine what is important.
There will also be plenty of time for any questions from the audience.
This is part of the Library’s Open Space Events series and it’s free but space is limited so it might be best to book through Eventbrite where if you search ‘Open Space Cardiff’ you should be able to find them, though, as I write this it may be too early for the December event’s listing.
Here’s some paintings I’ve been working on for the past few weeks:
I’m not sure if they are finished yet. I like to leave them for a while and take a fresh look, so there is a possibility that these images will change completely and effectively cease to exist except as a low resolution image on this website.
4 of the paintings are the same size, that is A2 or 594mm x 420mm; the other is twice the size at 800mm x 600mm.
(: More painting news very soon 🙂
Acrylic on Canvas 800mm x 600mm
Here’s a painting from nearly 15 years ago – one of the first I did. It was painted on the back of a placard/protest sign that I had previously used in a satirical community play I wrote called ‘The History of Llangennech – Part 2’
Blodyn has become a bit of an icon for me since I painted her. She was used on the cover of my poetry collection “The Words in Me” and will be used again on the cover of my new collection “More Words in Me” due to be published in a couple of months.
Here she is:
And here’s the back of Blodyn
What do I mean? I mean this is a short story with no style and no substance.
Why not? Style is taste, substance is an illusion.
Fair enough, but I don’t understand.
You don’t need to.
I mean I don’t understand the point of it.
Your short story. This.
Nor me. In fact I’d go so far as to say that there is no point to it.
But what’s the point of that? Why should I read it?
I don’t know. Do you need a reason?
Well, yes, otherwise I’d be wasting my time, my breath, my life.
Look at me shrugging. Read what you like, or not. Who cares?
Well, you should, it’s your short story. Don’t you want people to read it?
Yes of course, but I still don’t care if they do or not.
If you say so.
So what’s it about?
Nothing. It’s got no substance.
What’s the point . . . oh, never mind.
Good, you’re learning.
No I’m not.
Yes you are. You’ve learned that there’s no point.
No point to what?
No point trying to find a point in something that has no point.
OK. If you say so.
I was being sarcastic.
Because you’re winding me up.
Because of your stupid story that has no style and no substance.
And no point.
So what’s the problem then?
You’re doing my head in.
With all this story nonsense.
Well you don’t have to read it.
Fuck off then . . . .
Last Saturday I attended a screenprinting workshop at the Printhaus in Llandaff Road, Cardiff.
The Printhaus is an amazing and unique place which is equipped with comprehensive screenprinting facilities. I have always loved the idea of screenprinting and did a bit a very long time ago when we lived in a shared house in Cardiff associated with an Ashram in the seventies.
We used to print posters and sometimes on canvas bags.
This is what I printed – actually this is a photoshopped photograph of what I printed, the original is much more organic and lovely.
Just 4 copies were printed and the stencils were washed off the screens in between each colour. As you can see it was designed in 4 colours – red for the hair/petals, dark reddish-brown for the face and lettering (although it looks more like black in the photo), green for the body and yellow for the features and the buttons.
Each of the four prints is unique because of the slightly arbitrary way the card was positioned under the screen when applying the paint through the stencil. The stencils were made of thin tracing paper and were destroyed during the process of cleaning the screens, so this truly is a limited edition.