Croeso – Welcome

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Herein you will find scribbles and daubs, words and images, poems, photos and paintings, stories and comment; some stuff will be finely cut like a diamond, while some other stuff will be like a shattering of smashed glass.

Both glass and diamonds are nothing without light, so I can promise there is a light in all the work here and every glimmer is precious.

Scroll and click for more, tarry awhile and turn over some stones. Continue reading

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How much fruit and veg is ‘ten a day’

New research has indicated that people should eat 10 portions of fruit and/or vegetables every day if they want to achieve a longer and healthier life.

I wondered what 10 portions would look like so I raided the fridge and fruit bowl and added fruit and veg until it weighed 800 grams, which, according the the NHS, is what 10 portions weigh at 80 grams each.

Prices are based on the costs of the fruit and veg from local supermarkets and greengrocers’ shops, not the cheapest places to buy, not the most expensive either.

Bon Appétit!

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Work in Progress – TV Scripts

I’m not sure what type of writing I prefer but if I can probably narrow it down to two – they are writing novels and writing film or TV scripts.

I think it’s because each of those forms allow you to write proper ‘stories’ with plots and characters. For example it’s exciting to throw a random plot twist at the characters and see how they react; then follow them to the end to see how everything gets resolved.

There’s time to get to know the characters a bit, time to chill with these new and interesting people. It’s also a bit like that with painting, especially painting portraits, where you don’t know where that first mark on the canvas is going to lead, who is going to emerge from that mess of form and colour.

I suppose that it’s a bit like that for all art-forms – the creation of something out of nothing but an idea. But then, isn’t it a bit like that for science and engineering too? Isn’t it a bit like that for every facet of human existence, from making a cup of tea to designing a spaceship?

There’s nothing special about writers and artists.

Anyway, my work-in-progress includes adapting two of my books into television scripts.

It’s going great so far, in fact both books seem to lend themselves to the visual style of a television script. The books are Bums and Boys from the Backfields and each story is being developed into a six part TV drama. Both books are set  in the industrial/post-industrial town of Elchurch on the South Wales coast but they are very different books in other respects.

Click for more about the books : BUMS or BOYS FROM THE BACKFIELDS

Here’s a sneak peek

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In the dark

A little poem from my new collection – Blodyn – click here for more info

In the dark

In the late dark, a visitor
From a summer, long departed
Teased from winter’s slumber
Deceived by central heat
And a wall to wall mat
A microdot of consciousness
For a moment sharing awareness
As it slips across my clutter

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Half-eaten fruit and an angle on urinals in an arts’ centre

The day before yesterday was half-eaten fruit day

Half an Apple wrapped in clingfilm, on a wall in Library Street near the arts’ centre

It’s bananas – it really is

Half a banana over a wall in the gardens at Chapter Arts Centre

It wasn’t me guv – honest

A row of urinals in the toilet at Chapter

Definitely not!

Close up of a single urinal at Chapter

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Happy Birthday to Me

Something I wrote on my birthday

Happy Birthday To Me

It’s a scratch on the wall
a step on the path
It’s my birthday again
another year’s passed

If years were seconds
there wouldn’t be many
not much more than a minute

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verses for a purpose

(This is a very raw and unedited bit of rambling, posted here as an example of the sort of thing that I write when I’m thinking about what to write but can’t actually get writing.)

Around ten past midnight on the cusp of Monday February 7th and Tuesday February 8th, 2017.

I wrote a little blog article between yesterday (Sunday) and today (Monday). It’s all about Trump and Brexit. Its premise/conclusion is that the ‘Libtards’ have to apologise before we can move on and develop a better system (if there is even a need for a ‘system’). But, a better system of what?

  • Democracy
  • Politics
  • Society
  • How do we get on and look after each other?

Anyway, despite it having been a miserable day in some ways, the fact that I finished an article of sorts has made it a good day. It wasn’t easy and I had to plough on despite feeling that it would never make sense. In the end I think it does. It’s called ‘It’s not too late to say sorry’.

Less than a week ago, I published Blodyn, a book of my poetry, old and new, despite having only recently written blogs about how rubbish poetry, or at least the poetry industry, is.

Anyway, putting Blodyn together has sparked anew my interest in and love of writing poetry, so here goes:

Verses for a purpose

They need bundling
collecting in a net
They need releasing
one by one
They need repeating
repeating

Each one is a gem
a coruscating gem
A method of seeing
understanding

Caress them in your hands
Speak them with your mouth
Stroke them with your voice
Bring them home

Let them gather
together
Let them drift
Let them fly
Catch them as they pass
Love them while they last

—–

Stars are special
Stars are light
Stars are real
Stars are bright

—–

Must be time for bed; it’s nearly one a.m.

Nos da!

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It’s not too late to say sorry

The world we thought we understood is in meltdown after the victories of Donald Trump and the Brexiteers, and there is a general air of despondency lingering like cheap perfume around most of the people I know. I think this is because they belong to the demographic now being referred to by the victors as ‘Libtards’, i.e. Liberal Retards.

The Trump protest in Cardiff

I suspect that many people who don’t normally vote actually made an effort and took part in those elections in order to stick it to what they were told is the privileged elite. If that’s true then I can understand why, since they probably share my under-privileged working-class background and have no connection to the smug comfortably-off professionals who, over the decades, came to dominate government and political organisations like the Labour Party in the UK and no doubt the Democratic Party in the USA. Continue reading

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Blodyn set to Flower soon in New Poetry Collection

** Paperback now available: https://www.amazon.co.uk/dp/1904958621/

More info: http://openingchapter.com/2017/01/30/blodyn/

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Busy Birds

Birds busy being
Busy birds being
Being busy birds
Birds being busy

Birds Being Busy Being Busy Birds

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A message from the twenty-fourth century

doo yoo woo mooo?
DoO AyE waan tooo?
waa ee ooo poo
fee floo gloo
viaa grnaa
gtyoe
brooa grooa trooa too moo
soo kooo jooo gooo claa mee kii nia
plaa hoo xoiae boeuo
vuo mua trui voo
dooo yooo wooo moooo?
by fuck!

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You are what you eat?

(An old poem: from around 1999)

Do you want to be a vegetable,
or a pineapple chunk?
Would you like to be a rotten grape,
continually drunk?
Or if you wander in the woods
and eat the fungus balls
Does that mean that you’re a spore
infinitesimally small?

My mother likes a bit of fish
all soft in crispy batter
now when it’s raining cats and dogs
she says it doesn’t matter.
Sometimes on a Saturday
my brother eats lamb curry
I think his face has started
to go all white and furry.

If it’s true and we’re our food
don’t you think it’s time
to serve up David Beckham
Posh Spiced, with sage and Thyme
Or maybe we will tuck into
Catherine Zeta-Jones
On a bed of Holly Wood
Be careful of the bones

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Midnight Musings 1989

15/3/89 – 16/3/89 Midnight

Late and alone again. The cigarette end crushed in the ashtray, the insect trapped in the lampshade and the television in the background. It’s all really in the background even my hand scribbling on the paper, my own thoughts. Earlier my own weak flesh succumbed to the curse of overeating, my own lungs demanded too much cigarette smoke. Now I am ensconced again in my satiated accursed body.

Safe in the warm bosom of the living room, sitting on the edge of the dilapidated sofa, my obesity squashed against my thighs, feeling the awful fullness again.

The spiritual human trapped in the world. The world continues to turn and my own thoughts continue to whirl. Sleep is the blessing, if I can. Timing is crucial, if I go to bed too early, my acid stomach will wake me at two in the morning; too late, and I will be overtired, hyped up and full of dreams. Distraction is crucial, something for my whirling mind to latch onto. From the background the late night broadcast from the Open University; ‘Three psychologists comment on the play of some 1 to 4 year olds.’ How wonderful to be so wrapped up in a vocation and believe that in some way you are making a contribution to the flash of light that is man’s brief sojourn on this planet.

***

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A bit of impromptu live writing

Some unedited ‘live’ writing

Written on 15:01 Sunday November 1st 2015

I was reading about yet another writer half my age who has won some prestigious award and is appearing at several upcoming literary festivals and events as a featured, if not the star, guest.

So I started thinking why. Why has that writer achieved more than I have despite the fact that I was writing before they were born – before their dad’s sperm had reached their mum’s egg even. Before their father and mother even knew each other existed – probably.

Then I realised that the only thing between me and success as a writer is myself – or rather, some of my inner, more abstract thoughts and ideas. Thing is when I say, as I do often, that those who have achieved success, especially material success, though I suppose all kinds of success are eligible, owe it to chance, not to some god-given talent, or to some angelic-genius quality they possess, yes, the thing is, I am also referring to myself as successful – so I am already successful and I deserve it no more than anyone else does. Therefore I think I do not deserve success so when I see it standing passively alongside my path I tend to ignore it when what I should be doing is grabbing it.

Even while I’m writing this I’m thinking ‘what an arrogant prick you are Jones, what makes you think you can write in this self-indulgent way’, you don’t deserve it, and no one wants to know anyway’ that sort of thing. And I realise that (besides all the bits in between) these are the two dominant manifestations of my character. Manifestation 1 is the arrogant prick, who thinks that every word he writes is a raindrop of pure gold and Manifestation 2 is the pathetic whimpering grotbag who thinks that every word he writes is a dollop of pure diarrhoea.

So, what happens then is that every time I get near to what looks like some sort of success, I close my eyes and wait for it to go away. Now, I’m probably deluded but I tend to attach a spiritual tag onto this perverse behaviour, combining the Eastern religious concept of Karma with the more recent Western scientific ideas about parallel universes. What I mean is that I think that there is another version of me enjoying success as a writer, and of course, there is another version of that young prize-winning writer who is broke and despondent, smothered by the feeling that they are unloved and unappreciated.

So since it all evens out, if not over a lifetime then over several lifetimes, or several versions of the same person’s lifetime, then I just have to accept that in this universe / lifetime, I am very lucky, despite the lack of writerly success – while also realising that I actually am a success.

Maybe I’ll focus more on getting a new business venture off the ground than on this splurge of words.

We’ll see.

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Being Air Under Sky

Being Air Under Sky

From the deep, enigma
the source of the river
springing, sparkling
spreading its dream
flowing, glowing
a growing stream

Through the long, dilemma
the course of the river
shoaling, shining
shedding its blood
splashing, flashing
a dashing flood

To the wide, conundrum
the force of the river
scouring, scumbling
scuttling its breath
flaring, glaring
a sharing death

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He’s so alone

He sees the small one, eyes down, knees up, trying to understand why he’s just been stung by a wasp in the sun. He wants to tell him not to stay in that place; he wants to tell him to shake it away. Look, everything’s going to be all right.

But he can’t, he has to shake this away even though he suspects it may not be true. Didn’t he read something the other day about memory? How it is simply a mental construct from one physical part of the brain. How that part can be damaged or destroyed. The being can still function but more on autopilot than by intention.

Maybe his memory is damaged; maybe what he defines himself as is gleaned from broken brain cells. Whatever – it doesn’t matter anyway, because this life is a one-way trip.

He sighs, yawns, gets off the sofa and stares at a fly trapped between the net curtain and the glass. Alone, he’s alone, he’s so alone.

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2021: The Truth about the last 4 years

Something has to be written about these times; sorry that my skills are not as good as they should be. There is nothing I can do about that – my skills are the only skills that are available. I am the only one left and time is running out, so there is no time to get any better at this. Perhaps in a hundred years, someone will find this account interesting enough to rewrite it as a work of fiction – it’s dramatic enough. It would make a good film. I wonder if they’ll still have films in the twenty-second century? It’ll probably all be holograms by then – total immersion in a fake reality. But then what is reality anyway? And if what has happened here happens more widely there won’t be much left to fret about by then.

I’m sitting in an empty oil barrel inside a deserted factory – it used to be a machine shop. I used to work here. Now all the lathes and grinders have been sold for scrap and all that’s left is this oil drum and the run down building that surrounds it.

All around me lying in various awkward positions on the cold greasy floor are the bodies of the others. These were my fellow travellers, my crew, my gang, formed from an alliance of survivors. It has been six months since the coach crashed and it took us six outlaws every one of those 180 days to get here. I can’t look at them any longer, and there is nothing I can do but wait until the dangers have passed and all I have is this notebook and this pen. I hope it doesn’t run out . . .

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A visit from The Magic Elf

This is an extract from one of my books.

And now it’s the morning of March 15th 2016. One of the things that’s prompted this bit of live writing is my desire to reach 100,000 words. As I type I can see the word-count at the bottom of the screen and it says, hang on, I’ve got to catch it unaware because of course it will increase as soon as I type in the number: The number of words that are in this book so far is 98,951 (including the number 98,951), but of course it’s more already – it’s relentless, nothing really stops, everything changes.

It’s a bit like that with life – as soon as you think you’ve got a handle on it, the second you think you’ve got it sussed – it changes, it becomes something else, that’s one of the consequences of getting older, you lose the certainty of youth, and when I say youth I don’t mean childhood, I mean adulthood, from your early twenties or whenever it is you feel as if you’ve grown up at last, all the way through to old age in your sixties or whenever it is you feel as if you’re old.

Continue reading

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No one reads poetry

No one reads poetry,
except poets,
English Literature undergraduates,
and some academics.
(though these are mostly the same people)

No one reads poetry,
unless they have to,
or think they should
for their career.
(usually academic – sometimes journalistic)

If you follow a few rules,
show you understand,
you’re not a charlatan,
you know the form,
you can be a poet too.

You then acquire mystical powers,
and you are allowed to judge,
to evaluate and assess,
to stamp your approval,
and you realise
that’s what you wanted all along.

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Shadows and Silhouettes

NOTE: This blog post is meant primarily as a personal record of something I did and the context in which I did it. It’s no more than that.

In the late sixties, when I was a teenager I used to sit in cafés and watch people. I don’t mean in a creepy way, I was just a casual observer. At seventeen I spent some time based in Paddington and worked as a Lugger – a Roadie’s assistant, carrying speakers and amps in through the back entrances,up the steep stairs, and along the narrow passages of nightclubs all over the UK. I grafted for several bands including Jon Hiseman’s Coliseum and Jimmy James and the Vagabonds. I shared a flat with other roadies who between them worked for some of the biggest names of that period.

The Roadies’ flat was in these buildings

Continue reading

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