Tag: time

The Thing about Jill

First posted October 31, 2018

Extract from Work in Progress novel – The Flying Boy

For audio (Podcast version) Click to play here:

Or read the transcript below below:

You. You.You. It’s all about you isn’t it? Yes of course, you think. Who else is it going to be about? There is only you, in your life anyway. Is that sociopathic? Or some kind of pathic? You only know about yourself. You can’t know about anyone else – only what you are allowed to know by whatever this universe is. Ah – there it is, it’s about a u-niverse, so, yes, it is all about you.

But you still have to breathe air, share, and even you admit you don’t know everything. In fact you know hardly anything, possibly nothing. For example you tell people you are writing meta fiction but you don’t even know what meta fiction is until you look it up in the great big dictionary in the sky, just to check that you aren’t talking crap and could be called out by a first year literature student. But you are talking crap aren’t you? You are talking crap because for one thing the great dictionary told you that what you think is meta fiction probably isn’t – for one thing it seems to be spelled metafiction as one word, and the rest of it, well, there’s too many subtleties in the definitions of the word and not many come close to the sort of thing you’re writing. So yeah, you are writing something that is probably not metafiction, but you’re not sure – maybe it’s meta fiction or even meta-fiction.

So what. You’re not writing according to some spurious literary rule. You are writing the truth. You don’t know who Jill is. This is important. Because Jill is . . .  Jill is what? Hmm. You can’t deal with all this now. You have bigger fish to fry, or maybe you would if you fried fish. But you don’t fry fish; you don’t do anything with or to fish except look at them now and again in a friend’s pond or dead on the slabs of a fishmonger in the market.

There was that time, maybe thirty years ago, when you were involved with fish more than you wanted to be, more than you should have been. It was an actual fishing competition organised by your brother. He was a fisherman. Not a professional fisherman. He didn’t sell them or anything, though he no doubt traded the odd fish for some other advantage because that’s the sort of person he was, but he had a boat and loads of tackle, and he organised a sea fishing competition. You helped him by creating and managing a little computer database to record the details of the fish the competitors brought back to the weigh-in.

Stop! Pardon. Pause at least. OK.

When you’re writing like this it’s like applying the first daubs/splodges/lines of paint of an abstract painting on a canvas. You step back to look and at first it’s just random marks, random colours, random shapes and textures. Then you catch a hint of form. It starts to mean something and you start to realise that that meaning was there all along, it possessed your hands, your eyes, your brain. It used you to express itself. This is a divine thing – its form and its meaning will reveal themselves.

Restart.

(Martin Amis is your inspiration. Is he? Yes. Every time you read something about him or by him or see his name on a book cover you find yourself writing seconds later. Is that true? You’re doing it now. Ah! OK.)

Now really restart, resume maybe.

So helping your brother out at the fishing competition means sitting in a damp portakabin behind a makeshift desk, typing bits of information into a computer database. Things like contestant name and number, boat name, time of weigh, species of fish weighed, weight of fish.

Each species of fish has a specimen weight attached to it. So, a sardine say, has a specimen weight of a few grams, while a great white shark has a specimen weight of almost two tonnes or whatever. Not that you weigh any sardines or great white sharks, though there is a shark the size of a spaniel dog and some kind of flatfish with the circumference of a saucer.

At the end of the day there is a winner, the person whose fish is bigger than its species’ specimen weight by the largest factor. The spaniel-sized shark doesn’t win but the saucer sized flatfish might do. You can’t remember. You don’t want to remember.

All that must have been around the same time , late 80s, early 90s, that you read the book London Fields by Martin Amis, coincidentally, you’ve just read an interview with him in the Guardian (online) about the film that has just been released based on that book – London Fields (the film is rubbish apparently). Maybe that’s the reason you’re thinking about your brother’s fishing competition, some feint connection from three decades ago.

So yeah, maybe you have to admit that Martin Amis is your inspiration, your muse perhaps? I wonder what he would think about that? Being a muse for an also-ran novelist. You know what he is. He’s not a muse, he’s the sort of arrogant male artist who employs muses, uses them at least. He’s as much a muse as a jockey is a horse or a fish is bait.

But there you are, there he is, each in your respective universes, and there you will remain. Though Mr Amis does remind you of a dope-smoking friend you had for a while as a dope-smoking teenager. That friend was called Martin as well. He was not a tall person and used to walk around in a thick woollen coat that was too big for him.

Your Martin used to knock around with Jill. Hold on. You’d better stop there to think about it. Jill? Even that far back? Half a century? Is that possible? Are your memories real?

The thing about Jill is . . . .

What is the thing about Jill?

Croeso – Welcome

NOTE: THIS SITE IS IN THE PROCESS OF BEING REPAIRED AND REDESIGNED SO IT MAY BE A BIT WONKY

What’s it all about then?

No one’s got a clue really, but we try to do our best.

This website exists to display a bit of one person’s attempts to do their best. When I say ‘best’ I’m not sure if that’s true in the sense that everything here is perfectly crafted, because it’s not. Some of it is roughly hewn or not hewn at all, simply pointed at, but then again, maybe that’s the best I can do.

I dunno.

I reckon that less than 1 in 100 visitors to this website are actual human beings so if you’re one of them and not a bot, and have managed to read this far down the page, I hope you can find something of interest here.

Just scroll and click and search. Turn over some metaphorical stones – there’s quite a lot to uncover even if I do say so myself.

blah blah – you know the score – here’s a poem from 1999 about knowing the score

ninetyfivefive
 
 you know the score
 in a movie
 or a tv show
 the flaws
 small flaws
 idiosyncratic flaws
 twelve flaws
 or just one
 we’re allowed to be flawed
 it’s ok as long as in the end
 we’re fucking good at our job
 in my real life i’m an artex ceiling of cracks and fissures
 with some small redemption

 it’s kind of arse-backwards ain’t it?

Opening Chapter Dec 2001

This is something I wrote in 2001, that’s nearly twenty-one years ago as I write this. It’s either genius or a piece of shit. I suppose it could even be both.

You decide! (or not, I don’t care)

Continue reading “Opening Chapter Dec 2001”

A lazy writer?

What it is see, is that I’m a lazy writer. No, it’s true, I know that I could work much harder and craft every sentence, every paragraph, every chapter, every verse, every simile or metaphor into something that is entirely professional and rock solid. No, I could, I really could do it – every time.

Thing is, I don’t.

Why is that?

More importantly, does it matter?

And, in any case, lazy people deserve to have their voices heard too. After all, there are a lot of them about. Yeah, I know, there are a lot more people who don’t have the skills or experience to write well, whose voices are never heard, and it’s not their fault, so you could say, so what if your voice is unheard, for every one of you, lazy writers, there are a million others who will never have their voices heard and it’s not even their fault, it’s not their choice, they just don’t have the option. They may even be illiterate through no fault of their own.

But you do, you do have the choice, and the opportunities and still you produce sub-standard work simply because you’re lazy.. And don’t try and say that you have produced millions of words, published novels, short stories, poetry, articles, opinion pieces, musings and whatever else. They are lazy words. A million lazy words are less than equivalent to a thousand well-crafted.

You could say all that couldn’t you? But, what the hell, I still say that even lazy writers deserve their voices heard or at least out there in the ethers of life in the twenty-first century.

You don’t have to listen you know.

Coming Out of Lockdown

Oil on canvas 15/6/2020 – 60cm x 50cm / 24″ x 20″

Painted between April and June 2020 during the Covid lockdown. On display in The Wholefood Shop Cardiff  and for sale at the right price.

The painting was started as a pure abstract, in the sense that there was a blank canvas, a random selection of oil paints, brushes and spatulas and no definable objective in mind other than the need to spread some colour and create an image.

What emerged is a representation of what it felt like during lockdown and when the first signs of its easing began.

The colours are fiery, representing the fever of coronavirus. The composition is of two individuals facing away from each other as if to maintain social distancing. The shape in the middle is undefined but may be thought of as an unknowable and unspeakable thing, an awareness of the hugeness and awfulness of the virus on the psyche of those who happen to be alive during the pandemic.

Yet, at its core it is a joyous and hopeful image, with a bright and powerful energy that comes from the very heart of the universe, from the source of life and love itself.

The Flying Boy

I recently completed writing a new novel. The title of the book is ‘Skin and Bones’ . More news on that soon, but in the meantime here is an update on a major work-in-progress.

It’s a book with the working title of ‘The Flying Boy’. The title refers to a recurring dream I used to have when I as a boy, probably no more than eight or nine years old, possibly younger.

The dream involved me flying along the street where I lived at rooftop height. I think it influenced me a lot, in fact I am influenced a lot by the recurring dreams of my childhood. There were a lot of them.

I already wrote a book based on the one about The Three Bears and much of my other thoughts about what the universe is, how time works, reincarnation, spirituality, morality and so on, originate in my childhood dreams.

There will be more info about The Flying Boy in future I’m sure and one day the book will be published. Don’t expect a ‘normal’ novel-like thing, but it is a novel. In the meantime, here’s an extract from the work-in-progress. Continue reading “The Flying Boy”