Cannabis is so much stronger than it was in the sixties?

Cannabis is so much stronger than it was in the sixties?

Short answer is: No, cannabis is not so much stronger than it was in the sixties.

Some sort of Weed

How do I know? Easy, I was there then and I’m here now. I started smoking cannabis on April 20th 1968 when I was sixteen. They say that if you remember the sixties then you weren’t there, so how come I can remember the exact date on which I smoked my first joint?

Easy – there was a gig starring Geno Washington and the Ram Jam band in the Glen Ballroom in Llanelli then – I found the exact date on the Internet. That’s the night I inhaled for the first time. It was a tiny bit of hash I bought for a few shillings and it had no effect whatsoever on me,

The next day I went for a walk in the countryside near my home and smoked the other half of my stash. Minutes later I was dancing through the damp fields like a demented hippy, smiling and laughing at the beautiful planet I was privileged enough to live on.

Over the next three and a half years I smoked a lot more dope and had my share of most of the other drugs that were available, and there were a lot, even in our town in the sticks. For a few months during that period I shared a flat in London with a bunch of blokes, mostly from Llanelli. Early December 1969, we bought a large bag of what we were told was Mexican Grass.

There followed three weeks of mayhem, when I often forgot who I was, where I was and even what I was. Time chopped itself into short sequences and rearranged itself so that the thing I’ll be doing 5 minutes ago came after the thing that I was doing in half an hour’s time. I was reduced to my essential essence of being a consciousness floating in the continuum of space-time loosely connected to a seventeen year old boy from Wales.

This hallucinatory surreal journey continued until Christmas Eve when most of the Llanelli contingent hopped into a hired transit and belted off down the M4 to reconnect with our roots and reassemble our splintered brains. As it turned out I didn’t go back to London after that. When the transit came to pick me up the day after Boxing Day I was too exhausted after the grass and a bit ill after Christmas over-consumption. Just over two years later I was married with a child.

I stopped taking any kind of drug, even laid off alcohol for a few years and didn’t have another spliff for more than a quarter of a century. By then the good quality hash and grass of the late sixties had turned into impure and probably toxic ‘soap’ and ‘slate’ – concoctions of cannabis resin and god knows what bulking agents,

Gradually better quality weed came on the market – mostly strains of skunk grown in someone’s attic in small batches. The quality of the drug continued to improve and become more pure. I continued to smoke, and later vape, on and off, until quite recently, and I can vouch that nothing comes close to the strength and effects of that innocent sounding Mexican Grass that altered the course of my life in 1969.

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A random bit of live writing (Feb 2016)

How do you choose which bits of your life to focus on when you write or attempt to write some kind of autobiography like this? What are the criteria? Hmm. I suppose it depends on who you are writing to – yes – because when you write, or at least when I write, I have a ‘reader’ in mind, even if that reader is just an abstract notion of myself – my future self. Like a diary I suppose.

But so much happens in just one day, one hour, one second even, if you drill down into the depths of your psyche and think out to the expanse of the universe(s). Continue reading

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Sister Liz – a new acrylic painting 1000mm x 1200mm

Sister Liz – Acrylic on box canvas – 1000mm x 1200mm

Same size and type of canvas as Namaste but different orientation

Also see Pandora

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Dani Girl

Some Work in Progress

Dani Girl – Acrylic on Canvas – approx 8″ x 10″

There’s always a story.

I was sitting in the studio staring at the walls, feeling despondent. There was nothing there. No inspiration – no focus – no purpose. The universe was empty. All I had was some dregs of acrylic paint and 5 or 6 old failed canvases that had been painted in some form of pseudo-abstract meaningless squiggles and splodges.

In desperation I squeezed random bits of paint on the canvases and pushed them about with a brush until they each one was completely painted over in whatever colour emerged from the random scraps.

I left the studio for a couple of hours and distracted myself by eating, feeling even more miserable, and trying to catch up on some sleep. When I returned I picked up the same brush and the same dregs of paint and looked for some form. I chose one of the blanked out canvases and traced the shape of a head on the ridges of dried acrylic and found its features.

Thus Dani Girl emerged and the universe wasn’t empty any more.

Job done.

Update: the next day

Here’s the other 4 canvases

Continue reading

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Another revived painting

Not sure of the size – around 12″ wide?

Tair Chwaer – Three Sisters. Oil on Canvas- revived from 2010 in 2018 approx 12″ x 9″

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Writing between the lines

Discovered this snippet in a ‘journal’ from 2 years ago

The other day I was reading something – or listening to someone on the radio – a writer who said that him/her/they write by hand in unlined notebooks because him/her/they don’t want anyone or anything to tell him/her/they, guide him/her/they where to write- i.e. between the lines.

Well Mr/Mrs/Ms/Mx ‘Rebel’ – ‘Free thinker’, whatever – you’re constrained/restrained by the page, by the pen, by the letters and words, by the language, by everything you’ve ever thought, felt or experienced in any other way – so shut the fuck up – if you don’t want to be constrained/restrained by the lines then fucking don’t be.

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Welsh Village at Night

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Poems for competitions

Impact
Delivery
Reception
That’s how it comes
That’s how it goes
As if from a parallel world where:
You are a Goddess
And I am not your lover
But I am
I am!

### Continue reading

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An Ordinary Bloke writes about knowing everything

So now you’ve got to the point where you’ve had enough, done enough, know enough. You don’t need to learn any more about any thing. Well, maybe that’s pushing it a bit, that’s a bit too arrogant. You still learn at least one small lesson every day, you will always learn. But all the rest of it, well, you don’t need any of that any more – you don’t need anyone else telling you what you need either, or telling you what to do and how to behave, how to think. No! Fuck them.

You are who you are. You know everything. You know it all. You know as much as you need to know anyway. Note – how much ‘you’ need to know, not what ‘they’ think is how much you need to know. That’s what it’s all about really – you know everything.

Up to this point what has been written was written ‘before’. From now on what will be written will be written ‘after’. You don’t believe you know everything anymore. In fact you believe you know nothing, Take water for example, you know nothing about water, truth is no one does, not even the most scientific scientists. Electricity – that’s another one.

We live in a world which should not exist, it’s so improbable it’s impossible. You are impossible. Yet you are, you know that at least, you are, you do exist – whatever existence is.

Can it all be true? Can you know everything and know nothing at the same time?

Who knows!

(Shrugs)

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Croeso – Welcome

Featured

What’s it all about then?

No one’s got a clue really, but we try to do our best.

This website exists to display a bit of one person’s attempts to do their best. When I say ‘best’ I’m not sure if that’s true in the sense that everything here is perfectly crafted, because it’s not. Some of it is roughly hewn or not hewn at all, simply pointed at, but then again, maybe that’s the best I can do.

I dunno.

I reckon that less than 1 in 100 visitors to this website are actual human beings so if you’re one of them and not a bot, and have managed to read this far down the page, I hope you can find something of interest here.

Just scroll and click and search. Turn over some metaphorical stones – there’s quite a lot to uncover even if I do say so myself.

blah blah – you know the score – here’s a poem from 1999 about knowing the score

ninetyfivefive
 
 you know the score
 in a movie 
 or a tv show
 the flaws
 small flaws
 idiosyncratic flaws
 twelve flaws
 or just one 
 we’re allowed to be flawed 
 it’s ok as long as in the end 
 we’re fucking good at our job
 in my real life i’m an artex ceiling of cracks and fissures
 with some small redemption
 
 it’s kind of arse-backwards ain’t it?

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Lord Harry for the ZX Spectrum

One from the archives – a game I wrote for the Spectrum in 1983

Might do a T Shirt or a painting or both based on this

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An Ordinary Bloke writes about Ordinary Things

Everything is ordinary, birth, life, death, flying, swimming, running, climbing. That’s what this world is. You can take any one of those ordinary things and zoom in and you’ll find that the closer you get the more it fragments, the more complex it gets. Zoom in some more and you get lost in the endless billions of sub-atomic particles. I mean, did you know that there are like 10,000,000,000,000,000,000 atoms in just one grain of sand?

Now you have to admit that’s ordinary. It doesn’t get much more ordinary than a grain of sand; there are plenty of them everywhere. Nothing is really ordinary, in the sense that it’s banal, run of the mill, ‘normal’ – even those attributes ascribed to things or concepts are in themselves infinitely complex and interesting. Take a word like banal. I mean, what does it mean? Where does it originate? What are the other words that come from the same roots? In what context is it best used? Where is it best avoided? Does it have to be negative?

Sorry, I have a tendency to repeat, repeat, the things I want to say, maybe I’m subconsciously trying to build up a rhythm – I don’t know. I’ve also got a tendency to end up at the ‘10,000,000,000,000,000,000 atoms in just one grain of sand’ thing when I get too analytical. But that’s OK really, because it’s ordinary. I mean even the most seemingly unaware human being, and I would probably extend this to all animals, has these kind of thoughts, even if not in the same word patterns; maybe they manifest as feelings, or emotions, or something that isn’t so easily defined as language is.

So the point is: All things are ordinary, but ordinary isn’t dull, or worthless, or unremarkable.

Ordinary is extraordinary.

Here’s a short video of something ordinary.

the river Taff from Fitzhamon Embankment in central Cardiff

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wednesday, march 4, 1998

radical writers gather
at the dylan thomas centre
on wednesday night
in early march
during st david’s week
also known as ty llen
in the maritime sector
of swansea.
with nigel jenkins,
who says ‘i’m just a gower farm boy’
and ‘i make bugger all from my writing’,
others discuss cabbage soup,
and mike jenkins talks of majis,
and  spliffs,
we drink pints of cwrw,
and don’t live in red wine republics,
with sculptors’ sons,
near seven sisters rugby club,
published by seren,
or gomer,
or parthian,
or even honno,
and the university press
come barefoot
to see mike jenkins
and 2 women
one a filmmaker
the other an historian
look at the 1930s
and wives of miners
sheep roll over cattle grids
red-necks complain
while welsh nats
and painters
listen to stories of shop boys
who steal your breath
the writer sought three wild bards up a mountain
to make his name – alun richards
back to a muddy car park
past the books on sale
in daps
looking chic
down the m4
past the traffic lights
with our own agendas
to beat own drum
words like dirty snowdrops
at home a welcoming spliff
away the celtic warrior
and weasels of valleys
present voices of wales
bits of llais cymru
chasing arts council
vocational grants
why not try self-publishing
like roddy doyle
where’s irvine welch
on the internet
in a web
handing out pamphlets
to a welsh mam
she’s barefoot & still nuts
but, harry, he’s a poet

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Time Revisited

(i)
As the planets roll
I am caught in a bubble
on the sub-atomic motorway
Trundling at the speed of light
there is only one view,
an overall that covers all
and warms this creature
All the magic of all the ages
is contained in my pocket.

(ii)
The balls of our vision roll
as I roll
bubble
beneath the lowest life form
So slow, the speed of light.

(iii)
There is light, there is love
There is no doubt
no sullied nag
no wind to blow
the sun away
no darkness deep
enough to stay

(iv)
Create, begin to live again
another flame-flash try
A gleaming clear stack of light
AAAAAAAAAA*

(v)
Undulating via carpets of cloud
I ride another tiger tail
catch a star and put it safe
for when I need
to get away.

(vi)
Survive – and when survival’s beat
when time grows longer
when the silent air
threatens to lay bare
the screaming of the soul
what remains but
self (expression).

(vii)
Garbled Gobbledy Gook
gooks garbled on my face
and many loving arms
wrap the long nights
in their comfort.

(viii)
More words spilling
falling perhaps
until my arm
is empty
and needs a fix
to stay
(alive).

And at the end
we all must ask all
the (same) question.

Inside the darkened life
it’s too weird
too much to cope
too little as it is
without you
going.

(ix)
So where will this creature find its rest
where it can make a comfy nest
where will it lose itself in joy
where in the world is its new toy?

(x)
It’s a night of sadness
of meditation
a night to forget
a night to sigh
again.

(xi)
Scratching dudes create the tunes
Caring hands caress the bands
All around the people shout
Let me out, let me out.

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I am not a number, I am a free tree!

Today we went to the National Museum of History at St Fagans, a village on the western outskirts of Cardiff. They’ve recently revamped their visitor centre and we wanted to check it out and to visit the famous castle that is situated there.

The outdoor museum is spread over a one hundred acre site emanating from the castle and consists of reconstructed buildings from all over Wales, including farmhouses, chapels, shops, a woollen mill, a blacksmith and many others. It’s definitely worth a visit since it does throw some light on the kind of places people in Wales have lived and worked in over the centuries. The visitor centre alone is a gem; it’s been well designed and is a lovely airy building full of space and light, though this is partly because it is still in development and they haven’t crammed too much stuff in yet.

We found our way to the so-called St Fagans Castle – the former home of Lord and Lady Windsor as far as I could tell from the kitsch memorabilia propped up in some of the rooms. It doesn’t look like a castle and in fact it reminded me more of a prison with dark dingy rooms and a dank stink of rotten privilege and oppression. I came out of there strangely disturbed due to the nauseous feelings it stirred up in me. If it was up to me I’d blow the bloody monstrosity up and let the ruins decompose into a sickly sculptural reminder of how inherited position and privilege is a disease that has infected society for too many lifetimes.

I would probably have crumpled into a gibbering wreck if I hadn’t escaped when I did. And it really did feel like I was escaping; it was as if I was connecting with a version of myself from a previous life who had once worked there as one of the servants and I imagined that self doing a runner from the hellhole before dawn in the dying days of the nineteenth century when Lord Windsor’s power was at its terrible peak.

Today, as I looked back at that monstrous building from a safe distance across the ornamental ponds I felt utterly relieved and imagined that former self bounding off into the wild Welsh mountains to commune with mystical nature spirits.

As I bathed in the relief of my escape I noticed a huge beautiful tree which probably existed at the same time as that previous incarnation of myself; it had a tiny metal plaque screwed into its bark.

I am not a number, I am a free tree! *

The little oval of metal had been stamped with the number ‘0014’. After that I noticed similar plaques with different numbers screwed to other trees and wondered if they felt as trapped as I had and whether they would like to uproot themselves and head off into the hills.

Then I realised that they were trees and didn’t have the disposition to move anywhere other than where they had first sprouted from the earth, but I still hung on to the idea that they might resent being tagged with a silly scrap of metal. I guess I needed to make a connection to ameliorate the awfulness of the feelings stirred up by that dreadful monument to greed and inequality.

* This is a reference to the 1960s TV show The Prisoner.

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It goes like this

it goes like this
whooooosh
Sometimes
it goes like this
piiiiiing
or
pinnnnng
you understand me
don't you?
there are gaps
where you can fit
galaxies
universes even
the theme is the same
and time
time
it doesn't care
or
it doesn’t matter
m a t t e r
- - - -

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A Poem and a Painting (and a book)

The full cover of Blodyn – my latest collection of poetry
Blodyn the Painting

acrylic on board 520mm x 670mm (20″ x 26″), 2001

Blodyn the Book

Collected poems 2017

Blodyn the poem

You are a creature
Petal-haired
Mouth-organ lipped
Smudge nose askew

You are a flower (an open flower)
A head on a stalk (A face on a stick)
Seeds like eyes
Seed-like eyes

You absorb the earth
Soak up the sun
Flow with the wind
Grow with the rain

You are raw life

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Outside in October

Outside in October

The stems of the bamboos
in my neighbour’s garden
are tall and waxy cream.
Their leaves like the bad hair
of an animated villain.
They sway like an armoury
of thin spears;
rattle, sometimes, in the wind.
It’s a small innocent valley,
where the crabplant
and the blonde-haired pampas
jostle with potatoes;
buried like eggs of ants
in well-tilled mounds,
dissipating,
like mist, evaporating,
under the sun.
Betrayed, their fragility stalls,
and I expect to see
a black-and-white giant
panda
sleeping on the lawn.

From ‘Blodyn‘, my latest poetry collection

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Love for Life

You get an idea

You get to work

You get to put it (them) on the wall

Acrylic on Canvas 2017

For Sale as a triptych – £TBA: Contact me for more info.

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Another abstract made with Paint – @@@@@@@

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