This is something I wrote in 2001, that’s nearly twenty-one years ago as I write this. It’s either genius or a piece of shit. I suppose it could even be both.
You decide! (or not, I don’t care)
19:15-Chapter TABLE 9 It’s kinda tucked away at the side of the Café-Bar near the entrance to the Art Gallery Table 9 A place to look to assess to judge and comment There’s a woman with her daughter slurping on soup and munching on salad and drinking diet cola A family with two parental figures one presents as a man the other a woman They are at a long canteen-style table with 5 kids Aged from two to ten by the look of them (later you realise that there are three people who are presenting as parents and just 4 kids and you realise that whatever narrative you are imposing is full of your own perspective and is not a universal fact) Their table is laden with drinks, some alcoholic, and café-style plates of food They have screens with games “It’s not cheap cheese” says a young man delivering a plate to a solitary middle-aged woman who must have complained about the price I’m eating dirty vegan fries – a special order they said – and a pint of some German beer, that cost me thirteen pounds And thinking about the fish and chips I bought in 1964 for one shilling and three old pennies before decimalisation and before, long before, I became a vegan 30 years later but now it’s 2022 and things have changed as they do always And my friend, who works here and greeted me on my arrival 30 minutes ago told me about how he came to consciousness earlier today in the void and thought for a second that there had been a nuclear war These vegan dirty fries are difficult to eat because the melted vegan cheese sticks them together in clumps And when you spear one with your fork it brings half a dozen of its closest friends with it to your mouth So you have to separate them with your fingers and stuff them in or eat too many at once so you look around the café-bar to make sure no-one is watching you being a messy dick and then you realise, it doesn’t matter it’s not real because there probably has been a nuclear war and you probably are in the void dreaming of what might have been And your friend, the one who woke up in the original void has disappeared and you realise that you are a dot the size of a neutrino in a universe the size of . . . . . . the universe and it really doesn’t matter – even though it really does Message to mes This is a message to all the mes in all the parallel universes It’s me You are the light You are the love always and forever The Younger Generation I am a member of the younger generation and I always will be you are too I’ll never be old that’s what the 60’s did for me and for you Beware Beware of people who sit alone in the café-bars of arts centres drinking something like a pint, or a cup of tea and they’re writing in a notebook or a paper pad or on the touchscreen of an ipad (type thing), and they look up now and again and scan the room Beware of them They are writing about you
Anyway, here’s Petal.
Skin is a taxi driver, Bones is a Detective Inspector. They hate each other but both operate on the same patch, the large ex-industrial town of Elchurch on the South Coast of Wales. A young woman is found dead and they are both drawn into the investigation. But all is not what it seems as the brothers separately and together deal with the consequences of the murder.
Kindle Version: https://www.amazon.co.uk/dp/B08QJ8MSCB
Oil on canvas 15/6/2020 – 60cm x 50cm / 24″ x 20″
Painted between April and June 2020 during the Covid lockdown. On display in The Wholefood Shop Cardiff and for sale at the right price.
The painting was started as a pure abstract, in the sense that there was a blank canvas, a random selection of oil paints, brushes and spatulas and no definable objective in mind other than the need to spread some colour and create an image.
What emerged is a representation of what it felt like during lockdown and when the first signs of its easing began.
The colours are fiery, representing the fever of coronavirus. The composition is of two individuals facing away from each other as if to maintain social distancing. The shape in the middle is undefined but may be thought of as an unknowable and unspeakable thing, an awareness of the hugeness and awfulness of the virus on the psyche of those who happen to be alive during the pandemic.
Yet, at its core it is a joyous and hopeful image, with a bright and powerful energy that comes from the very heart of the universe, from the source of life and love itself.
What’s it all about then?
No one’s got a clue really, but we try to do our best.
This website exists to display a bit of one person’s attempts to do their best. When I say ‘best’ I’m not sure if that’s true in the sense that everything here is perfectly crafted, because it’s not. Some of it is roughly hewn or not hewn at all, simply pointed at, but then again, maybe that’s the best I can do.
I reckon that less than 1 in 100 visitors to this website are actual human beings so if you’re one of them and not a bot, and have managed to read this far down the page, I hope you can find something of interest here.
blah blah – you know the score – here’s a poem from 1999 about knowing the score
ninetyfivefive you know the score in a movie or a tv show the flaws small flaws idiosyncratic flaws twelve flaws or just one we’re allowed to be flawed it’s ok as long as in the end we’re fucking good at our job in my real life i’m an artex ceiling of cracks and fissures with some small redemption it’s kind of arse-backwards ain’t it?
Here’s a short video clip set on/in a bin
Taken the same time as the photo in a previous post, i.e. March 16th, at the beginning of lockdown
I recently completed writing a new novel. The title of the book is ‘Skin and Bones’ . More news on that soon, but in the meantime here is an update on a major work-in-progress.
It’s a book with the working title of ‘The Flying Boy’. The title refers to a recurring dream I used to have when I as a boy, probably no more than eight or nine years old, possibly younger.
The dream involved me flying along the street where I lived at rooftop height. I think it influenced me a lot, in fact I am influenced a lot by the recurring dreams of my childhood. There were a lot of them.
I already wrote a book based on the one about The Three Bears and much of my other thoughts about what the universe is, how time works, reincarnation, spirituality, morality and so on, originate in my childhood dreams.
There will be more info about The Flying Boy in future I’m sure and one day the book will be published. Don’t expect a ‘normal’ novel-like thing, but it is a novel. In the meantime, here’s an extract from the work-in-progress. Continue reading “The Flying Boy”
and here’s Candigirl in a frame
It’s a collage, that’s what it is, it’s a coll-fucking-age
if I don’t paint I can’t write, in fact if I don’t paint I lose the plot . . . it takes a while, months, sometimes longer, but here it comes again . . . sorry, got to go and paint . . . if anything decent comes out of my forthcoming painting session I’ll post it here, you’ll be the first to know . . . back in a bit . . . . . . it’s later . . . well, that didn’t go very far, there was a fair bit of tidying up and sorting out paints and brushes and canvases, not to mention collecting all the other stuff that had accumulated in the shed and putting it out of the way . . . then it was too hot to paint in there so very little got done (painting-wise) . . . then there was cooking and generally mooching about and just being unfocused . . . and now . . . here’s the result . . .
neither I suppose, not today anyway
An extract from ‘To Me’
June 10th, 2006
I had one of those writerly moments earlier; you know, when you have a brilliant idea for a piece of writing; something clever and insightful, something entertaining and wise, something beautiful and exciting, and all encapsulated in the same simple concept.
The words blossomed in my head, metaphors leapt about like lemurs and stunning similes smiled at me.
Right, I thought, I’m going to blog this. This’ll have ‘em dancing on their keyboards – now how do I begin? Ah yes – fantastic, that opening sentence will slay them, and then I’ll say that, and then I’ll bring that in and then I’ll end it like that – wow.
So, I hopped out of the armchair and skipped jauntily over to the laptop.
I’ll put the kettle on, I thought. Now where’s that box of cheating chai, and I’m sure there are some of those melt-in-the-mouth chocolate coated ginger biscuits left in the cupboard.
Damn ants, you only need a grain of sugar to escape from the spoon and they’re all over the place like an army of Eng-er-land supporters on speed. Better clean up a bit.
Right here we go . . . .
Um, er, what was I going to say?
Here’s a photo of my painting Autumn Show, on the wall in Llanover Hall, Cardiff for their 50th anniversary exhibition .
Available to purchase at the special price of £450 until July 26th 2019
and here’s a very different painting on the same size canvas – who is it hiding behind the tele?
Just found this in an old word doc from February 2000
I don’t really know how it got to this but in eleven days time on April 3rd I am doing a sort of gig. Poster below.
It’s a very small venue but an interesting one.
here’s the event link on Facebook: https://www.facebook.com/events/317730898881281/
Some of my paintings will be on display and for sale in the week leading up to the event.
Here they are:
Also on show but not for sale (high offers may be considered)
Don’t ask . . . . . .
Here’s some sort-of abstract works instead