Remember that I’m not saying that making music is easy, far from it – making music is very difficult – I know that there are tens of thousands of very talented musicians in the UK and at least thousands in Wales – and I know a few of them so I know how hard they work to make those sounds.
But I am saying that making music is a cop-out – compared to writing it’s a doddle. I mean once you’ve learned an instrument and the tunes to a bunch of songs all you have to do is play and sing. Unless you’re a composer of course, but even then it’s still easier than writing. It’s still following a bunch of rules and usually that means repetitions of things like beats and lyrics.
I know a point of view like this might upset a lot of people, especially those who have spent decades learning their craft and those who profess their love for certain musical artists or genres, but it doesn’t matter, because my opinion of music doesn’t matter. I’m just an ordinary bloke, that’s all – one ordinary bloke out of tens of millions of blokes in the UK alone.
Besides, I’ve got no influence, no respect, no kudos, so just chill the fuck out – I’m only writing about how I feel – and even then I’ll probably change my mind next week or have an epiphany or something. Yeah, so just chill the fuck out. And there’s no reason or need to dislike me either, just for my opinion. I am not disrespecting you, in fact, I admire you a lot, it’s just that I don’t think music is such a big deal.
Recently I told someone whose life is music that I regarded music as just like the wind – it’s just there that’s all. They and others they spoke to in the music business were horrified. I’m a little puzzled by that reaction to be honest because I think it’s a complimentary thing to say – I mean, the wind is one of the most amazing, wonderful, varied, profound, powerful and beautiful things there is. It is an actual force of nature.
Writing on the other hand is like taking the whole of history, the whole of human evolution and experience, the whole of the universe even, in your brain all at once and issuing words that encapsulate the magic and the majesty in a conscious way. It’s not like just standing on a beach and feeling the wind in your face and the sea air in your lungs, it is the very act of creation itself. Writing is divine in the true sense, not in the namby-pamby repetitive sense.
But yes I still admire and envy you – I wish I could sing and play an instrument like a guitar or a key board.
Maybe I’ll try to learn. Is it too late for me to do this at 67 years old do you think?
Most of what everyone does is unnecessary and harmful.
Stop doing what is unnecessary Abolish money Grow or forage for your own food
Cook your own food Make your own clothes Build your own shelters Help each other to do this Have fun Use or abuse no other sentient being Do what you want but harm no one
(This is a personal note to myself – please ignore.)
I’m a writer. There’s no doubt about that, as you would see if you bothered to explore my website. It’s mostly about writing and most of it has been written – by me of course. Problem is ‘writer’ is too wide a term to be meaningful to anyone who doesn’t identify as a ‘writer’. I mean, what am I? I write blog posts like this, and . . . well . . . here’s a list of the other things I write:
Plays for the theatre
But if I was forced to define more finely what it is that makes me a writer then I would say: “Call me a novelist”. I would say this even though I have not published a new novel for three years because there is something divine about writing a novel, something that takes a direct line to the absolute essence of my being – it is an experience, or a conglomeration of experiences, that means everything, forever.
Extract from Work in Progress novel – The Flying Boy
You. You.You. It’s all about you isn’t it? Yes of course, you think. Who else is it going to be about? There is only you, in your life anyway. Is that sociopathic? Or some kind of pathic? You only know about yourself. You can’t know about anyone else – only what you are allowed to know by whatever this universe is. Ah – there it is, it’s about a u-niverse, so, yes, it is all about you.
But you still have to breathe air, share, and even you admit you don’t know everything. In fact you know hardly anything, possibly nothing. For example you tell people you are writing meta fiction but you don’t even know what meta fiction is until you look it up in the great big dictionary in the sky, just to check that you aren’t talking crap and could be called out by a first year literature student. But you are talking crap aren’t you? You are talking crap because for one thing the great dictionary told you that what you think is meta fiction probably isn’t – for one thing it seems to be spelled metafiction as one word, and the rest of it, well, there’s too many subtleties in the definitions of the word and not many come close to the sort of thing you’re writing. So yeah, you are writing something that is probably not metafiction, but you’re not sure – maybe it’s meta fiction or even meta-fiction.
So what. You’re not writing according to some spurious literary rule. You are writing the truth. You don’t know who Jill is. This is important. Because Jill is . . . Jill is what? Hmm. You can’t deal with all this now. You have bigger fish to fry, or maybe you would if you fried fish. But you don’t fry fish; you don’t do anything with or to fish except look at them now and again in a friend’s pond or dead on the slabs of a fishmonger in the market.
There was that time, maybe thirty years ago, when you were involved with fish more than you wanted to be, more than you should have been. It was an actual fishing competition organised by your brother. He was a fisherman. Not a professional fisherman. He didn’t sell them or anything, though he no doubt traded the odd fish for some other advantage because that’s the sort of person he was, but he had a boat and loads of tackle, and he organised a sea fishing competition. You helped him by creating and managing a little computer database to record the details of the fish the competitors brought back to the weigh-in.
Stop! Pardon. Pause at least. OK.
When you’re writing like this it’s like applying the first daubs/splodges/lines of paint of an abstract painting on a canvas. You step back to look and at first it’s just random marks, random colours, random shapes and textures. Then you catch a hint of form. It starts to mean something and you start to realise that that meaning was there all along, it possessed your hands, your eyes, your brain. It used you to express itself. This is a divine thing – its form and its meaning will reveal themselves.
(Martin Amis is your inspiration. Is he? Yes. Every time you read something about him or by him or see his name on a book cover you find yourself writing seconds later. Is that true? You’re doing it now. Ah! OK.)
Now really restart, resume maybe.
So helping your brother out at the fishing competition means sitting in a damp portakabin behind a makeshift desk, typing bits of information into a computer database. Things like contestant name and number, boat name, time of weigh, species of fish weighed, weight of fish.
Each species of fish has a specimen weight attached to it. So, a sardine say, has a specimen weight of a few grams, while a great white shark has a specimen weight of almost two tonnes or whatever. Not that you weigh any sardines or great white sharks, though there is a shark the size of a spaniel dog and some kind of flatfish with the circumference of a saucer.
At the end of the day there is a winner, the person whose fish is bigger than its species’ specimen weight by the largest factor. The spaniel-sized shark doesn’t win but the saucer sized flatfish might do. You can’t remember. You don’t want to remember.
All that must have been around the same time , late 80s, early 90s, that you read the book London Fields by Martin Amis, coincidentally, you’ve just read an interview with him in the Guardian (online) about the film that has just been released based on that book – London Fields (the film is rubbish apparently). Maybe that’s the reason you’re thinking about your brother’s fishing competition, some feint connection from three decades ago.
So yeah, maybe you have to admit that Martin Amis is your inspiration, your muse perhaps? I wonder what he would think about that? Being a muse for an also-ran novelist. You know what he is. He’s not a muse, he’s the sort of arrogant male artist who employs muses, uses them at least. He’s as much a muse as a jockey is a horse or a fish is bait.
But there you are, there he is, each in your respective universes, and there you will remain. Though Mr Amis does remind you of a dope-smoking friend you had for a while as a dope-smoking teenager. That friend was called Martin as well. He was not a tall person and used to walk around in a thick woollen coat that was too big for him.
Your Martin used to knock around with Jill. Hold on. You’d better stop there to think about it. Jill? Even that far back? Half a century? Is that possible? Are your memories real?
How do you choose which bits of your life to focus on when you write or attempt to write some kind of autobiography like this? What are the criteria? Hmm. I suppose it depends on who you are writing to – yes – because when you write, or at least when I write, I have a ‘reader’ in mind, even if that reader is just an abstract notion of myself – my future self. Like a diary I suppose.
But so much happens in just one day, one hour, one second even, if you drill down into the depths of your psyche and think out to the expanse of the universe(s). Continue reading →
There seems to be nothing there, but there are the uncountable billions of past experiences in this or other lives. Then there are the uncountable possibilities of future experiences plus of course the endless experiences occurring now.
And out of this nothing something new has to emerge . . .
Discovered this snippet in a ‘journal’ from 2 years ago
The other day I was reading something – or listening to someone on the radio – a writer who said that him/her/they write by hand in unlined notebooks because him/her/they don’t want anyone or anything to tell him/her/they, guide him/her/they where to write- i.e. between the lines.
Well Mr/Mrs/Ms/Mx ‘Rebel’ – ‘Free thinker’, whatever – you’re constrained/restrained by the page, by the pen, by the letters and words, by the language, by everything you’ve ever thought, felt or experienced in any other way – so shut the fuck up – if you don’t want to be constrained/restrained by the lines then fucking don’t be.
So now you’ve got to the point where you’ve had enough, done enough, know enough. You don’t need to learn any more about any thing. Well, maybe that’s pushing it a bit, that’s a bit too arrogant. You still learn at least one small lesson every day, you will always learn. But all the rest of it, well, you don’t need any of that any more – you don’t need anyone else telling you what you need either, or telling you what to do and how to behave, how to think. No! Fuck them.
You are who you are. You know everything. You know it all. You know as much as you need to know anyway. Note – how much ‘you’ need to know, not what ‘they’ think is how much you need to know. That’s what it’s all about really – you know everything.
Up to this point what has been written was written ‘before’. From now on what will be written will be written ‘after’. You don’t believe you know everything anymore. In fact you believe you know nothing, Take water for example, you know nothing about water, truth is no one does, not even the most scientific scientists. Electricity – that’s another one.
We live in a world which should not exist, it’s so improbable it’s impossible. You are impossible. Yet you are, you know that at least, you are, you do exist – whatever existence is.
Can it all be true? Can you know everything and know nothing at the same time?
(i) As the planets roll I am caught in a bubble on the sub-atomic motorway Trundling at the speed of light there is only one view, an overall that covers all and warms this creature All the magic of all the ages is contained in my pocket.
(ii) The balls of our vision roll as I roll bubble beneath the lowest life form So slow, the speed of light.
(iii) There is light, there is love There is no doubt no sullied nag no wind to blow the sun away no darkness deep enough to stay
(iv) Create, begin to live again another flame-flash try A gleaming clear stack of light AAAAAAAAAA*
(v) Undulating via carpets of cloud I ride another tiger tail catch a star and put it safe for when I need to get away.
(vi) Survive – and when survival’s beat when time grows longer when the silent air threatens to lay bare the screaming of the soul what remains but self (expression).
(vii) Garbled Gobbledy Gook gooks garbled on my face and many loving arms wrap the long nights in their comfort.
(viii) More words spilling falling perhaps until my arm is empty and needs a fix to stay (alive).
And at the end we all must ask all the (same) question.
Inside the darkened life it’s too weird too much to cope too little as it is without you going.
(ix) So where will this creature find its rest where it can make a comfy nest where will it lose itself in joy where in the world is its new toy?
(x) It’s a night of sadness of meditation a night to forget a night to sigh again.
(xi) Scratching dudes create the tunes Caring hands caress the bands All around the people shout Let me out, let me out.
it goes like this
it goes like this
you understand me
there are gaps
where you can fit
the theme is the same
it doesn't care
it doesn’t matter
m a t t e r
- - - -
Yesterday, after a breakfast of tea and toast with tahini and yeast extract we went to the Farmers’ Market to buy organic vegetables. We’ve been going to the market for years and once ran a stall there selling our own handmade soap and body products, so we know a lot of the regulars and stallholders.
I know that last paragraph makes me sound like an over-privileged hippie but I’m not, we actually spend a lot less on food and suchlike than most people do and cook everything from scratch in our pokey little kitchen. We just like to eat healthily.
I got chatting to a friend next to the fair-trade beverage and snacks stall, and, as it does when you engage in a bit of small talk at the Farmers’ Market on a Sunday, the subject got around to the nature of reality, involving life, death, and the hallucinogenic drug DMT.
The theme of the conversation was that we, i.e. human beings, or possibly all beings, project our own realities. We are all from the same source and each of us is an expression of that source but essentially we are one.
While we were pondering the imponderables, my wife carried on walking alongside the stalls. When I caught up with her she was talking to one of the other stallholders. He was nattering about aliens and about how there is incontrovertible evidence that they walk amongst us. He described a species of very short (compared to humans) hairless aliens. He also said that there are many proven examples of UFOs visiting our planet but that it’s all been covered up.
When I got home I did a bit of googling about DMT and discovered that those who take the drug sometimes ‘see’ small alien-like creatures, similar to the ones described by the UFO man. On my Twitter feed was a quote from the work of the Irish poet Medbh McGuckian: “There is only One universe at a time”
So, that’s the point – yes, life is so random there’s no way of working out what it’s all about. Maybe aliens do zip around our skies; maybe the universe is a personal projection, and this is only one of an infinite number of possible universes. Certainly, in the context of all time and all space then whatever our world is it’s less than microscopic.
But, you can only deal with what’s in front of you now – one universe at a time, no matter how insignificant it seems. If you need to have a purpose then your job is to contribute to the coherence of it all, because without your contribution then none of it would matter, or even happen.
Before we start let me say that I love dogs – well, maybe love is too strong a term, let’s just say I respect them in the same way I respect all other living things – who all have the same right to make use of the facilities our shared planet offers. Obviously you’re not going to let a person-eating tiger lodge in your kitchen, but as long as an animal doesn’t directly threaten your well-being you should just leave them alone to get on with things in their own way.
On the council estate where I grew up hardly a dog had a lead, let alone a poop scoop or a biodegradable poo-bag. Dogs used to shit anywhere they liked and nobody judged them or their humans. We had a dog ourselves and like its peers it didn’t usually wear a collar, but it did crap on the pavement. We generally side-stepped the decaying stools until they were washed away by rain, or dried into white powder and blown to the gutters by the wind. The powder was something to do with the massive amounts of calcium in tinned dog food then. I suppose the manufacturers, to save on costs, added the calcium-rich bones from the uncountable carcasses of animals whose flesh had been stripped and swallowed by omnivorous hominids.
Of course these days, every local authority is cracking down on dog fouling. Now, according to the BBC, South Ribble Council is taking it a step further by restricting the number of dogs allowed per person.
That’s probably a step too far but despite my respect for dogs as fellow living creatures of this universe I could never ‘have’ one now. What it boils down to is that I cannot bring myself to follow a canine around and pick its poo up. Is this where human evolution has brought us? God I hope not.
Cat people are just as bad. I mean, since when has it been the done thing to allow cats unfettered access to every corner of our dwellings. My granny’s cats lived in the alleys behind her house and sometimes sheltered in the coal-shed; they were fed scraps and if they got ill they crawled into a dark corner until they got better or died. When we first had cats ourselves it was a given that they were not allowed upstairs and were put outside before we went to bed.
Now pussies sleep on people’s faces for goodness sake, and their human companions bring them gourmet snacks on blue velvet cushions trimmed with gold braid; they are so pampered and spoilt they have begun to think we are their servants. And maybe they’re right, because cat-shit can infect rodents with a parasite (Toxoplasma gondii) that makes them in thrall to cats, and helpless victims to their murderous claws. A growing number of people are convinced that the parasite can infect humans in the same way, turning us into mindless slaves desperate to do the bidding of our feline overlords.
But then again, sharing your life with pets, or companion animals to give them a more respectful term, has been shown to have positive effects on your mental health. So maybe it’s a trade-off. You pick your dogs’ shit up and they will reward you with a sloppy tongue and a cuddle now and again, while in turn you can give the same love to your cats and get lost in their beautiful eyes . . . .