Busted – New Novel almost here

I’m very happy to say that my next novel will be published by the end of May.

The manuscript is in the final stages of proofreading. Here’s the completed front cover

Busted Bumf

It’s the early 1990’s in the large town of Elchurch on the South Wales coast. Family man Dylan D’arcy, a struggling businessman, is on the verge of going bust – again. Out of the blue, successful local entrepreneur Kevin Brown walks into his office and offers him a lifeline in the form of a lucrative contract to develop a computer system for his new venture, an ambitious mail-order operation.

Everything falls into place and within weeks Dylan and his family are reaping the rewards and looking forward to a prosperous future. At the same time there is an upsurge in drugs-related crime in the town and the antics of local underworld figure Arthur Roberts cast a dark shadow over Dylan and his family business.

Busted is the latest in a series of Elchurch Tales by Derec Jones.

Check out the author’s website for more information: www.derecjones.com

Morning

Just found this in an old word doc from February 2000

Morning

Continue reading

Busted – new novel coming soon

‘Busted’ is a story about a struggling businessman and his family who get involved with some serious criminals. Set in the large coastal town of Elchurch in the 1990’s Busted is a straightforward story and a satisfying read.

I actually wrote this story in the 1990’s but basically shoved it in a drawer (well on various data backup devices). Then, recently, because I’m late finishing ‘Beats’, the second in the Bums, Beats and Bones trilogy of stories featuring Detective Inspector Frank Lee, I dug ‘Busted’ out and decided to publish it, come what may.

To be honest I’m still not sure it’s wise to publish it, but what the hell that’s what’s happening at the end of May / beginning of June 2019. That gives me a couple of weeks to do some serious proofreading and copy-editing.

Anyway, more info soon. In the meantime here’s an idea for the cover.

Me and some of my mates

Me and some of my mates


					

Okey Dokey

Don’t ask . . . . . .

Here’s some sort-of abstract works instead

Flashes Stars Hearts – Paint Art

bit of doodling mindlessly using Microsoft Paint

At the end of the day

detangle me

What are the secrets?

What are the secrets
you’ve discovered today?

Did you find out
where the wizards play?

Are they as wise as they claim?
Or is it just a clever game?

No one can win.
No one can lose

No one can challenge
the life that you choose.

Marking an event

Last Saturday, December 8th 2018, along with Dafydd Wyn Roberts, I held an event at the Apothecary in Cardiff. They have a lovely little caff at the back of their shop.

Dafydd played 4 songs accompanying himself on an acoustic guitar, and I read three excerpts from my novels.

It went like this – Song-Reading-Song-Reading-Song-Reading-Song or something like that.

Before, during, and at the end of the song-reading cycle we chatted to each other and to the audience.

It was a great night and everyone who was there loved it. Dafydd’s act was excellent, good songs well sung and played. We may do it again – watch this space (well not this space, but some other space)

here’s the poster for the event again

Call me a novelist

(This is a personal note to myself – please ignore.)

I’m a writer. There’s no doubt about that, as you would see if you bothered to explore my website. It’s mostly about writing and most of it has been written – by me of course. Problem is ‘writer’ is too wide a term to be meaningful to anyone who doesn’t identify as a ‘writer’. I mean, what am I? I write blog posts like this, and . . . well . . . here’s a list of the other things I write:

Poems
Short Stories
Articles
Plays for the theatre
Television Scripts
Jokes
Monologues
Rants
Rambles
blah
blah

But if I was forced to define more finely what it is that makes me a writer then I would say: “Call me a novelist”. I would say this even though I have not published a new novel for three years because there is something divine about writing a novel, something that takes a direct line to the absolute essence of my being – it is an experience, or a conglomeration of experiences, that means everything, forever.

So yeah – get on with it.

A little Work in Progress from a novel

The Thing about Jill

Extract from Work in Progress novel – The Flying Boy

Audio here:

Transcript below:

You. You.You. It’s all about you isn’t it? Yes of course, you think. Who else is it going to be about? There is only you, in your life anyway. Is that sociopathic? Or some kind of pathic? You only know about yourself. You can’t know about anyone else – only what you are allowed to know by whatever this universe is. Ah – there it is, it’s about a u-niverse, so, yes, it is all about you.

But you still have to breathe air, share, and even you admit you don’t know everything. In fact you know hardly anything, possibly nothing. For example you tell people you are writing meta fiction but you don’t even know what meta fiction is until you look it up in the great big dictionary in the sky, just to check that you aren’t talking crap and could be called out by a first year literature student. But you are talking crap aren’t you? You are talking crap because for one thing the great dictionary told you that what you think is meta fiction probably isn’t – for one thing it seems to be spelled metafiction as one word, and the rest of it, well, there’s too many subtleties in the definitions of the word and not many come close to the sort of thing you’re writing. So yeah, you are writing something that is probably not metafiction, but you’re not sure – maybe it’s meta fiction or even meta-fiction.

So what. You’re not writing according to some spurious literary rule. You are writing the truth. You don’t know who Jill is. This is important. Because Jill is . . .  Jill is what? Hmm. You can’t deal with all this now. You have bigger fish to fry, or maybe you would if you fried fish. But you don’t fry fish; you don’t do anything with or to fish except look at them now and again in a friend’s pond or dead on the slabs of a fishmonger in the market.

There was that time, maybe thirty years ago, when you were involved with fish more than you wanted to be, more than you should have been. It was an actual fishing competition organised by your brother. He was a fisherman. Not a professional fisherman. He didn’t sell them or anything, though he no doubt traded the odd fish for some other advantage because that’s the sort of person he was, but he had a boat and loads of tackle, and he organised a sea fishing competition. You helped him by creating and managing a little computer database to record the details of the fish the competitors brought back to the weigh-in.

Stop! Pardon. Pause at least. OK.

When you’re writing like this it’s like applying the first daubs/splodges/lines of paint of an abstract painting on a canvas. You step back to look and at first it’s just random marks, random colours, random shapes and textures. Then you catch a hint of form. It starts to mean something and you start to realise that that meaning was there all along, it possessed your hands, your eyes, your brain. It used you to express itself. This is a divine thing – its form and its meaning will reveal themselves.

Restart.

(Martin Amis is your inspiration. Is he? Yes. Every time you read something about him or by him or see his name on a book cover you find yourself writing seconds later. Is that true? You’re doing it now. Ah! OK.)

Now really restart, resume maybe.

So helping your brother out at the fishing competition means sitting in a damp portakabin behind a makeshift desk, typing bits of information into a computer database. Things like contestant name and number, boat name, time of weigh, species of fish weighed, weight of fish.

Each species of fish has a specimen weight attached to it. So, a sardine say, has a specimen weight of a few grams, while a great white shark has a specimen weight of almost two tonnes or whatever. Not that you weigh any sardines or great white sharks, though there is a shark the size of a spaniel dog and some kind of flatfish with the circumference of a saucer.

At the end of the day there is a winner, the person whose fish is bigger than its species’ specimen weight by the largest factor. The spaniel-sized shark doesn’t win but the saucer sized flatfish might do. You can’t remember. You don’t want to remember.

All that must have been around the same time , late 80s, early 90s, that you read the book London Fields by Martin Amis, coincidentally, you’ve just read an interview with him in the Guardian (online) about the film that has just been released based on that book – London Fields (the film is rubbish apparently). Maybe that’s the reason you’re thinking about your brother’s fishing competition, some feint connection from three decades ago.

So yeah, maybe you have to admit that Martin Amis is your inspiration, your muse perhaps? I wonder what he would think about that? Being a muse for an also-ran novelist. You know what he is. He’s not a muse, he’s the sort of arrogant male artist who employs muses, uses them at least. He’s as much a muse as a jockey is a horse or a fish is bait.

But there you are, there he is, each in your respective universes, and there you will remain. Though Mr Amis does remind you of a dope-smoking friend you had for a while as a dope-smoking teenager. That friend was called Martin as well. He was not a tall person and used to walk around in a thick woollen coat that was too big for him.

Your Martin used to knock around with Jill. Hold on. You’d better stop there to think about it. Jill? Even that far back? Half a century? Is that possible? Are your memories real?

The thing about Jill is . . . .

What is the thing about Jill?

A random bit of live writing (Feb 2016)

How do you choose which bits of your life to focus on when you write or attempt to write some kind of autobiography like this? What are the criteria? Hmm. I suppose it depends on who you are writing to – yes – because when you write, or at least when I write, I have a ‘reader’ in mind, even if that reader is just an abstract notion of myself – my future self. Like a diary I suppose.

But so much happens in just one day, one hour, one second even, if you drill down into the depths of your psyche and think out to the expanse of the universe(s). Continue reading

Pandora – a new acrylic painting 1000mm x 1200mm

Pandora – Acrylic on box canvas – 1000mm x 1200mm

Same size canvas as Namaste and Sister Liz

Sister Liz – a new acrylic painting 1000mm x 1200mm

Sister Liz – Acrylic on box canvas – 1000mm x 1200mm

Same size and type of canvas as Namaste but different orientation

Also see Pandora

Dani Girl

Some Work in Progress

Dani Girl – Acrylic on Canvas – approx 8″ x 10″

There’s always a story.

I was sitting in the studio staring at the walls, feeling despondent. There was nothing there. No inspiration – no focus – no purpose. The universe was empty. All I had was some dregs of acrylic paint and 5 or 6 old failed canvases that had been painted in some form of pseudo-abstract meaningless squiggles and splodges.

In desperation I squeezed random bits of paint on the canvases and pushed them about with a brush until they each one was completely painted over in whatever colour emerged from the random scraps.

I left the studio for a couple of hours and distracted myself by eating, feeling even more miserable, and trying to catch up on some sleep. When I returned I picked up the same brush and the same dregs of paint and looked for some form. I chose one of the blanked out canvases and traced the shape of a head on the ridges of dried acrylic and found its features.

Thus Dani Girl emerged and the universe wasn’t empty any more.

Job done.

Update: the next day

Here’s the other 4 canvases

Continue reading

Jackie and all her flaws

Writing this blog is very much like writing in a private diary and then putting it back into a drawer.

Anyway – here’s another painting that I dug up from the shed and revived

Jackie and all her flaws  – Acrylic on Box Canvas – 12″ x 16″

Not sure why or what but here it is

Whodunnit?

Whodunnit? You just might find out over the next two days.

Tomorrow and Saturday, June 1st & 2nd, Cardiff Central Library is the location for the Crime and Coffee festival, a very special gathering to celebrate Crime Writing.

Meet some award winning crime writers and find out what makes them tick, how they approach their work and where they get their inspiration from.

Full details here: https://www.ticketsource.co.uk/cdfcrimefest

I am very pleased that I will be appearing at 1pm on Friday as part of a panel discussion with two other local authors Phil Rowlands and Evonne Wareham.

Details of the panel discussion here: https://www.ticketsource.co.uk/event/FHFHEJ

Come along and discover the gems that this unique collection of talent has to offer

One week later – a kiss of light

A kiss of Light?

See Previous post here

Writing between the lines

Discovered this snippet in a ‘journal’ from 2 years ago

The other day I was reading something – or listening to someone on the radio – a writer who said that him/her/they write by hand in unlined notebooks because him/her/they don’t want anyone or anything to tell him/her/they, guide him/her/they where to write- i.e. between the lines.

Well Mr/Mrs/Ms/Mx ‘Rebel’ – ‘Free thinker’, whatever – you’re constrained/restrained by the page, by the pen, by the letters and words, by the language, by everything you’ve ever thought, felt or experienced in any other way – so shut the fuck up – if you don’t want to be constrained/restrained by the lines then fucking don’t be.

Crime and Coffee – Panel Discussion with local Cardiff authors

UPDATE: For 2019’s event click here:

This should be interesting . . .

As part of the 2 day Crime and Coffee festival hosted by Cardiff Libraries I, along with two other local authors will be discussing our very differing approaches to Crime Writing.

My focus will be on my trilogy of stories featuring Detective Inspector Frank Lee, an ex punk New Age Traveller, who, to the dismay of his family and fellow travellers, became a copper to catch the ‘real bad guys’.

Bums, the first novel in the trilogy is already available. the second book, Beats, is due at the end of this year and the final in the trilogy, Bones, will be published in 2019.

Come along on Friday June 1st at 1pm to find out more about our unlikely police detective.

The other two authors on the panel are Evonne Wareham and Phil Rowlands, both are great writers with their own unique take on Crime Fiction

Here’s a link to more info about the panel discussion and the rest of the festival: https://www.ticketsource.co.uk/event/FHFHEJ

Click here for more about Bums, Beats, Bones and DI Frank

Mozaic May 15th and 18th 2018, Work in Progress

WORK IN PROGRESS

Let’s see how this turns out

Latest version Friday 18th May

Both

Side by Side

See next post about this painting