Same size and type of canvas as Namaste but different orientation
Also see Pandora
Some Work in Progress
There’s always a story.
I was sitting in the studio staring at the walls, feeling despondent. There was nothing there. No inspiration – no focus – no purpose. The universe was empty. All I had was some dregs of acrylic paint and 5 or 6 old failed canvases that had been painted in some form of pseudo-abstract meaningless squiggles and splodges.
In desperation I squeezed random bits of paint on the canvases and pushed them about with a brush until they each one was completely painted over in whatever colour emerged from the random scraps.
I left the studio for a couple of hours and distracted myself by eating, feeling even more miserable, and trying to catch up on some sleep. When I returned I picked up the same brush and the same dregs of paint and looked for some form. I chose one of the blanked out canvases and traced the shape of a head on the ridges of dried acrylic and found its features.
Thus Dani Girl emerged and the universe wasn’t empty any more.
Update: the next day
Here’s the other 4 canvases
The first painting finished(?) in the new studio – actually painted over a painting done last year that never really worked – see below. I’ll get a better pic at some point – the colours on the actual painting are much more subtle than this photo suggests.
As you can see “What have I become” still has the DNA of “The Estuary” but I think it says much more.
Discovered this snippet in a ‘journal’ from 2 years ago
The other day I was reading something – or listening to someone on the radio – a writer who said that him/her/they write by hand in unlined notebooks because him/her/they don’t want anyone or anything to tell him/her/they, guide him/her/they where to write- i.e. between the lines.
Well Mr/Mrs/Ms/Mx ‘Rebel’ – ‘Free thinker’, whatever – you’re constrained/restrained by the page, by the pen, by the letters and words, by the language, by everything you’ve ever thought, felt or experienced in any other way – so shut the fuck up – if you don’t want to be constrained/restrained by the lines then fucking don’t be.
That’s how it comes
That’s how it goes
As if from a parallel world where:
You are a Goddess
And I am not your lover
But I am
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So now you’ve got to the point where you’ve had enough, done enough, know enough. You don’t need to learn any more about any thing. Well, maybe that’s pushing it a bit, that’s a bit too arrogant. You still learn at least one small lesson every day, you will always learn. But all the rest of it, well, you don’t need any of that any more – you don’t need anyone else telling you what you need either, or telling you what to do and how to behave, how to think. No! Fuck them.
You are who you are. You know everything. You know it all. You know as much as you need to know anyway. Note – how much ‘you’ need to know, not what ‘they’ think is how much you need to know. That’s what it’s all about really – you know everything.
Up to this point what has been written was written ‘before’. From now on what will be written will be written ‘after’. You don’t believe you know everything anymore. In fact you believe you know nothing, Take water for example, you know nothing about water, truth is no one does, not even the most scientific scientists. Electricity – that’s another one.
We live in a world which should not exist, it’s so improbable it’s impossible. You are impossible. Yet you are, you know that at least, you are, you do exist – whatever existence is.
Can it all be true? Can you know everything and know nothing at the same time?
Me and some of my mates
What’s it all about then?
No one’s got a clue really, but we try to do our best.
This website exists to display a bit of one person’s attempts to do their best. When I say ‘best’ I’m not sure if that’s true in the sense that everything here is perfectly crafted, because it’s not. Some of it is roughly hewn or not hewn at all, simply pointed at, but then again, maybe that’s the best I can do.
I reckon that less than 1 in 100 visitors to this website are actual human beings so if you’re one of them and not a bot, and have managed to read this far down the page, I hope you can find something of interest here.
blah blah – you know the score – here’s a poem from 1999 about knowing the score
ninetyfivefive you know the score in a movie or a tv show the flaws small flaws idiosyncratic flaws twelve flaws or just one we’re allowed to be flawed it’s ok as long as in the end we’re fucking good at our job in my real life i’m an artex ceiling of cracks and fissures with some small redemption it’s kind of arse-backwards ain’t it?
Everything is ordinary, birth, life, death, flying, swimming, running, climbing. That’s what this world is. You can take any one of those ordinary things and zoom in and you’ll find that the closer you get the more it fragments, the more complex it gets. Zoom in some more and you get lost in the endless billions of sub-atomic particles. I mean, did you know that there are like 10,000,000,000,000,000,000 atoms in just one grain of sand?
Now you have to admit that’s ordinary. It doesn’t get much more ordinary than a grain of sand; there are plenty of them everywhere. Nothing is really ordinary, in the sense that it’s banal, run of the mill, ‘normal’ – even those attributes ascribed to things or concepts are in themselves infinitely complex and interesting. Take a word like banal. I mean, what does it mean? Where does it originate? What are the other words that come from the same roots? In what context is it best used? Where is it best avoided? Does it have to be negative?
Sorry, I have a tendency to repeat, repeat, the things I want to say, maybe I’m subconsciously trying to build up a rhythm – I don’t know. I’ve also got a tendency to end up at the ‘10,000,000,000,000,000,000 atoms in just one grain of sand’ thing when I get too analytical. But that’s OK really, because it’s ordinary. I mean even the most seemingly unaware human being, and I would probably extend this to all animals, has these kind of thoughts, even if not in the same word patterns; maybe they manifest as feelings, or emotions, or something that isn’t so easily defined as language is.
So the point is: All things are ordinary, but ordinary isn’t dull, or worthless, or unremarkable.
Ordinary is extraordinary.
The Sixties are finally ending. The signs are everywhere. The characters that populate the sixties of our shared imagination are shuffling off their mortal coils faster than newly elected politicians shrugging off their promises. It won’t be long before finding a genuine sixties survivor will be almost as impossible as getting an honest Tory to open your village fete.
So, from our vantage point half a century in the future, what was it all really about? Well, it’s kind of defined my generation’s life, coloured it in at least. But did it really mean anything? Was there a cultural revolution? Did we achieve Sexual Liberation and Gender Equality? Did we Ban the Bomb and Make Love not War?
I don’t think we did any of the above, but did we at least stall the inexorable rise of capitalism? Nope, never got far with that either. But, the sixties were special, with the music, the art, the fashion, the technology, the social movements – weren’t they?
Maybe The Sixties was just an idea. Ideas are powerful, everything comes from ideas. I mean, the music, the art, the fashion . . . and all the rest of it, they all started with ideas and then they happened. But – so what? Nobody wears mini-skirts and hot pants now, nobody marches from Aldermaston to London demanding nuclear disarmament – yet the nuclear arms are still there, more than ever. The reasons to do all those things still exist.
So, what’s happened then? Maybe the sixties were about hope, and now we’ve given that up in this topsy-turvy post-Trump-election world. There are too many billionaires, there is more wealth concentrated in the pockets of a couple of percent of the population than all the rest of us combined. The sixties itself has been commercialised more than any other decade in history – it has become a product, a facsimile designed to mesmerise, and squeeze money from, naïve punters like you and me.
Now that The Sixties is finally expiring maybe it’s time to bury the last of its warriors or at least let them sink into the shadows in retirement homes. We need to get on with now – the future.
In the meantime if you can think of anything positive that’s stood the test of that half century then write it on a banner and parade it proudly around town – or maybe just make a jpeg out of it and stick it on Facebook – job done.
I’m just an ordinary bloke and I used to be a vegan. Is that a contradiction? Can you be a vegan and be ordinary? Can an ordinary bloke even be a vegan? What’s ordinary about being vegan?
Well, it used to be impossible to be thought of as being ordinary and a vegan at the same time. Everyone’s perception was that vegans were weird, far from ordinary, sub-ordinary if you like, not worthy of any respect or consideration.
But now, apart from the opinions of some knuckle-draggers in the comments sections of online newspapers and your auntie Betty, who still swears by steamed sheep’s brains on a bed of fried bull’s balls, being a vegan seems to have become accepted as quite an ordinary thing to do. So, that’s why I’m done with this vegan thing.
More than two decades ago I became a ‘vegan’ and long before that a vegetarian. Almost forty-seven years eschewing (not chewing) animal flesh, and you know what? I’ve had enough of it.
I don’t want to be a ‘vegan’ or even a vegetarian any more. I just want to be a normal human being who goes about their daily life without a big neon sign above their head declaring their foibles to the world.
It’s not just me. I was in Berlin recently and visited a small vegan supermarket. The company was all over the vegan grapevine a few years ago because they were opening, or planning to open, vegan supermarkets all over Germany and there was talk of them opening in the UK. At the time it seemed to herald the new golden age of veganism, at last there was enough of a market in providing for such a diet to make it commercially viable. Hooray!
Bu no, the guy in the vegan supermarket in Berlin said their plans to expand had fizzled out and their entry into the UK market never happened. Why? Was it because the vegan revolution itself fizzled out? Was the market smaller than they thought?
No, it was because regular supermarkets and shops started to stock the same ranges of specialised vegan products as they did. There is nothing unique about them anymore. Veganism has entered the mainstream, there’s unashamedly vegan options everywhere.
We may be a few years behind in the UK but it’s starting to happen here too.
So, I’m hanging up the label, I am no longer a vegan. I’m just an ordinary bloke eating an ordinary diet. I just don’t eat any animal products – but that is normal – right?
radical writers gather
at the dylan thomas centre
on wednesday night
in early march
during st david’s week
also known as ty llen
in the maritime sector
with nigel jenkins,
who says ‘i’m just a gower farm boy’
and ‘i make bugger all from my writing’,
others discuss cabbage soup,
and mike jenkins talks of majis,
we drink pints of cwrw,
and don’t live in red wine republics,
with sculptors’ sons,
near seven sisters rugby club,
published by seren,
or even honno,
and the university press
to see mike jenkins
and 2 women
one a filmmaker
the other an historian
look at the 1930s
and wives of miners
sheep roll over cattle grids
while welsh nats
listen to stories of shop boys
who steal your breath
the writer sought three wild bards up a mountain
to make his name – alun richards
back to a muddy car park
past the books on sale
down the m4
past the traffic lights
with our own agendas
to beat own drum
words like dirty snowdrops
at home a welcoming spliff
away the celtic warrior
and weasels of valleys
present voices of wales
bits of llais cymru
chasing arts council
why not try self-publishing
like roddy doyle
where’s irvine welch
on the internet
in a web
handing out pamphlets
to a welsh mam
she’s barefoot & still nuts
but, harry, he’s a poet
Today is my 66th birthday. Because of the conditioning we gather from the weird cultural sewer we all bob around in, that feels like something I should be ashamed of. I mean who the hell wants to be 66 years old? That’s old, really old, beyond doubt old. You can kid yourself you still possess some vestiges of youth as you pass 60 and edge up towards 65, but 66, hell yes, that’s properly ancient. You’re so decrepit that you start to notice different things about the world, like the way your fellow codgers behave when they use their bus passes.
Here in Wales you are entitled to claim a bus pass when you are a fresh-faced 60. It took me a few months after I passed that long-dreaded birthday to overcome my shame and get the necessary documents together to prove I was ancient enough for free travel but eventually I gave in and shamefully presented myself to the local council hub to get photographed and approved. I collected the magic plastic rectangle and left the building, head down in case I bumped into someone I knew and had to explain what I was doing coming out of that emporium of benefits and social needs.
Anyway that was nearly six years ago and since then despite the odd pang of shame I have accepted that I am a member of that gang still politely referred to by some as Senior Citizens and more honestly, usually under the breath, as Old Gits.
So the way it works, on the local buses at least, is that you enter the bus and place the pass, which is the size of a credit card, on a pad near the driver. There is a beep, you then thank the driver and board the bus. Sometimes, depending on the bus company a useless ticket is printed, which you take from the machine and stick somewhere or discard.
Now, what I’ve noticed is this.
When an eligible woman boards the bus she will use her left hand to put her bus pass flat on the card reading device, remove her hand, wait for the beep, and then use her right hand to retrieve the pass, before shuffling off into the guts of the vehicle.
When it’s a man he will place the magic card on the pad with his right hand, keep his hand on it until he hears the beep, then remove his hand and the pass together.
In practice it means that men take a few less seconds to go through the formalities.
What I want to know is: What does this mean? Is this significant? Are men more efficient or are women more artistic? Will the proximity of a man’s hand to the reading device when it beeps have an effect on their health? Is this the sort of behaviour that contributes to women’s longer longevity?
I haven’t got a clue.
These are the sort of things that preoccupy a 66 year old.
God help us.
As the planets roll
I am caught in a bubble
on the sub-atomic motorway
Trundling at the speed of light
there is only one view,
an overall that covers all
and warms this creature
All the magic of all the ages
is contained in my pocket.
The balls of our vision roll
as I roll
beneath the lowest life form
So slow, the speed of light.
There is light, there is love
There is no doubt
no sullied nag
no wind to blow
the sun away
no darkness deep
enough to stay
Create, begin to live again
another flame-flash try
A gleaming clear stack of light
Undulating via carpets of cloud
I ride another tiger tail
catch a star and put it safe
for when I need
to get away.
Survive – and when survival’s beat
when time grows longer
when the silent air
threatens to lay bare
the screaming of the soul
what remains but
Garbled Gobbledy Gook
gooks garbled on my face
and many loving arms
wrap the long nights
in their comfort.
More words spilling
until my arm
and needs a fix
And at the end
we all must ask all
the (same) question.
Inside the darkened life
it’s too weird
too much to cope
too little as it is
So where will this creature find its rest
where it can make a comfy nest
where will it lose itself in joy
where in the world is its new toy?
It’s a night of sadness
a night to forget
a night to sigh
Scratching dudes create the tunes
Caring hands caress the bands
All around the people shout
Let me out, let me out.
They say that art is sweat and tears
You have to work at it for years
You have to burn the midnight oil
You have to suffer pain and toil
You get distracted by the world
By every precious boy and girl
They just don’t realise it’s hard
to keep it up when times are bad
When you’re tired, feeling low
and all you want’s for it to flow
You have to force yourself to work
You have to try until it hurts
The fleeting second of the scene
on the page or on the screen
Is all that others ever see
It’s a fucking joke, believe you me
Christmas coming fast
Should have been here Tuesday
Wednesday, Thursday night perhaps
The world has got a problem
Only one? I hear you ask
Well one that’s really pissed me off
That awful shopping task
We all come down together
to fill our metal guts
With putrefying blood and bones
and other awful stuff
The charity collectors
jangle at the doors
Piss off you pious bastards
I won’t give you any more
The dreaded day comes round again
We gorge until we’re numb
Forgive the sodding year that’s gone
and curse the one to come
A motley gathering of aspiring authors collect together under the grubby canvas of a large marquee. Two hundred or so enthusiastic literary souls eagerly await the arrival of an editor from a famous large publishing house. She is to be accompanied by two of her latest discoveries – two brand new novelists just about to have their first works published. There is hope, it is transmitted by the excited breathing of the assembled scribes. Books from new authors are being published, despite the economic climate; someone with the power to rescue the diligent, lonely aspirants is prepared to take a chance with new writers.
Four smart middle-class women enter the arena and arrange themselves tastefully on the dais; the background hubbub fades, all eyes face front. A dedicated wannabe novelist, a cloth-capped round man is scribbling frantically into his filo-fax. An elderly lady with a limp finds herself a last-minute seat near the front and sits down with a tired sigh – it’s been a long road.
Let the lesson begin. The editor speaks first: OK, let’s forgive the carefully cultivated tones of her voice, the expensive haircut and the cigarette dangling from manicured fingers. Let’s give her a chance. The slush pile is dismissed immediately; nothing of any value comes from that. The audience fidget, embarrassed, thinking of their own contributions to that bane of the publishing world. OK, what is it then? That magic spell to get your first novel published.
Let’s have examples. The two new authors are discussed.
Writer A is an old friend of the editor, her father was a well-known poet and her mother is an accomplished novelist. Poor thing had a deprived childhood with her arty father, even had to slum it in the castle-like homes of her family’s aristocratic Mediterranean friends. The editor and this princess of words spent months, meeting for lunch and at each other’s houses, trimming and buffing her manuscript until it eventually emerged as a thin and delicately polished literary flower.
Writer B is a senior literature journalist with the Times. She was wooed by our editor (why?) until she produced a delightfully funny piece of work based in the offices of a gardening magazine. Wonderful gimmick – a free packet of geranium seeds with every book sold.
Both writers have got friends who are literary agents. So what is that magic?
The two authors speak about their work and read extracts to the sinking audience, and finally, a marketing superwoman from the publisher explains how new authors are launched with minimum expenditure and maximum publicity (in the literary sections of quality newspapers no doubt – ah! that’s why); but none of these discourses mattered, all hope had long vaporised along with the few quid each of us had paid for the privilege of a sharp slap in the face. Maybe that was the point of the event after all?
Go back to your kitchen sinks and your allotments, you’re a punter – not a writer; writers are smart cultured people with friends in the ‘write’ places.
There was to be a question and answer session afterwards. In the back of the auditorium, a disappointed and disgruntled working-class man stands up, touches his forelock to the dais and makes a quick exit. It is me.
NOTE (December 2017): I don’t think much has changed in the quarter of a century since I wrote the above piece. Maybe I should have concentrated on running my computer business. I was quite good at that until I walked away from it to focus on writing, a couple of years after that Hay session.
Still – that’s hope for you.
People Other People
can appear strange
They have different habits
and they smell
they live in different houses
with different chairs
and different foods
from different cups.
And it all adds up
Around this time of year
(the festive season)
They come closer
They share our air
they eat our foods
(and we eat theirs)
We visit their strange houses
or meet them in pubs
sometimes they’re family
Their lights shine
we can’t see them
. . . . . . they’re different