Orange Head – finished version?

Orange Head – Oil on Canvas – 20″ x 24″

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Blog abstract number 3

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Another abstract made with Paint – @@@@@@@

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Another little abstract drawn in Microsoft Paint

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Artwork in Found Frame

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Add New Post

‘Add New Post’

This blog / website / whatever it is called now, wants me to add a new post every time I come here. If I do make the effort to add a new post  it normally means I’ve got something specific to write about. Whether it’s one of my feeble attempts to market my books and/or art or whether it’s one of those rare occasions when I get wound up enough about some topic, usually political, or vegan-related, to feel a need to make some comment about it.

Gratuitous early spring image

There is a third reason I add new posts, and that is the most important reason – it’s when I share some of my creative work, like a short story, or a poem, or some rant about parallel universes and/or the nature of reality.

But sometimes there are gaps when I have nothing specific to say, and I don’t feel particularly inclined to share some creative work, yet I still feel the urge to add a new post.

This post is a result of one of those gaps, there  is no reason for this post other than to fill it (the gap).

Yet . . .

I do have something to say, I’m sure I do . . . . . . . . . . . . . . .

 

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Happy Birthday to Me

Something I wrote on my birthday

Happy Birthday To Me

It’s a scratch on the wall
a step on the path
It’s my birthday again
another year’s passed

If years were seconds
there wouldn’t be many
not much more than a minute

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verses for a purpose

(This is a very raw and unedited bit of rambling, posted here as an example of the sort of thing that I write when I’m thinking about what to write but can’t actually get writing.)

Around ten past midnight on the cusp of Monday February 7th and Tuesday February 8th, 2017.

I wrote a little blog article between yesterday (Sunday) and today (Monday). It’s all about Trump and Brexit. Its premise/conclusion is that the ‘Libtards’ have to apologise before we can move on and develop a better system (if there is even a need for a ‘system’). But, a better system of what?

  • Democracy
  • Politics
  • Society
  • How do we get on and look after each other?

Anyway, despite it having been a miserable day in some ways, the fact that I finished an article of sorts has made it a good day. It wasn’t easy and I had to plough on despite feeling that it would never make sense. In the end I think it does. It’s called ‘It’s not too late to say sorry’.

Less than a week ago, I published Blodyn, a book of my poetry, old and new, despite having only recently written blogs about how rubbish poetry, or at least the poetry industry, is.

Anyway, putting Blodyn together has sparked anew my interest in and love of writing poetry, so here goes:

Verses for a purpose

They need bundling
collecting in a net
They need releasing
one by one
They need repeating
repeating

Each one is a gem
a coruscating gem
A method of seeing
understanding

Caress them in your hands
Speak them with your mouth
Stroke them with your voice
Bring them home

Let them gather
together
Let them drift
Let them fly
Catch them as they pass
Love them while they last

—–

Stars are special
Stars are light
Stars are real
Stars are bright

—–

Must be time for bed; it’s nearly one a.m.

Nos da!

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Blodyn set to Flower soon in New Poetry Collection

** Paperback now available: https://www.amazon.co.uk/dp/1904958621/

More info: http://openingchapter.com/2017/01/30/blodyn/

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A bit of impromptu live writing

Some unedited ‘live’ writing

Written on 15:01 Sunday November 1st 2015

I was reading about yet another writer half my age who has won some prestigious award and is appearing at several upcoming literary festivals and events as a featured, if not the star, guest.

So I started thinking why. Why has that writer achieved more than I have despite the fact that I was writing before they were born – before their dad’s sperm had reached their mum’s egg even. Before their father and mother even knew each other existed – probably.

Then I realised that the only thing between me and success as a writer is myself – or rather, some of my inner, more abstract thoughts and ideas. Thing is when I say, as I do often, that those who have achieved success, especially material success, though I suppose all kinds of success are eligible, owe it to chance, not to some god-given talent, or to some angelic-genius quality they possess, yes, the thing is, I am also referring to myself as successful – so I am already successful and I deserve it no more than anyone else does. Therefore I think I do not deserve success so when I see it standing passively alongside my path I tend to ignore it when what I should be doing is grabbing it.

Even while I’m writing this I’m thinking ‘what an arrogant prick you are Jones, what makes you think you can write in this self-indulgent way’, you don’t deserve it, and no one wants to know anyway’ that sort of thing. And I realise that (besides all the bits in between) these are the two dominant manifestations of my character. Manifestation 1 is the arrogant prick, who thinks that every word he writes is a raindrop of pure gold and Manifestation 2 is the pathetic whimpering grotbag who thinks that every word he writes is a dollop of pure diarrhoea.

So, what happens then is that every time I get near to what looks like some sort of success, I close my eyes and wait for it to go away. Now, I’m probably deluded but I tend to attach a spiritual tag onto this perverse behaviour, combining the Eastern religious concept of Karma with the more recent Western scientific ideas about parallel universes. What I mean is that I think that there is another version of me enjoying success as a writer, and of course, there is another version of that young prize-winning writer who is broke and despondent, smothered by the feeling that they are unloved and unappreciated.

So since it all evens out, if not over a lifetime then over several lifetimes, or several versions of the same person’s lifetime, then I just have to accept that in this universe / lifetime, I am very lucky, despite the lack of writerly success – while also realising that I actually am a success.

Maybe I’ll focus more on getting a new business venture off the ground than on this splurge of words.

We’ll see.

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2021: The Truth about the last 4 years

Something has to be written about these times; sorry that my skills are not as good as they should be. There is nothing I can do about that – my skills are the only skills that are available. I am the only one left and time is running out, so there is no time to get any better at this. Perhaps in a hundred years, someone will find this account interesting enough to rewrite it as a work of fiction – it’s dramatic enough. It would make a good film. I wonder if they’ll still have films in the twenty-second century? It’ll probably all be holograms by then – total immersion in a fake reality. But then what is reality anyway? And if what has happened here happens more widely there won’t be much left to fret about by then.

I’m sitting in an empty oil barrel inside a deserted factory – it used to be a machine shop. I used to work here. Now all the lathes and grinders have been sold for scrap and all that’s left is this oil drum and the run down building that surrounds it.

All around me lying in various awkward positions on the cold greasy floor are the bodies of the others. These were my fellow travellers, my crew, my gang, formed from an alliance of survivors. It has been six months since the coach crashed and it took us six outlaws every one of those 180 days to get here. I can’t look at them any longer, and there is nothing I can do but wait until the dangers have passed and all I have is this notebook and this pen. I hope it doesn’t run out . . .

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A visit from The Magic Elf

This is an extract from one of my books.

And now it’s the morning of March 15th 2016. One of the things that’s prompted this bit of live writing is my desire to reach 100,000 words. As I type I can see the word-count at the bottom of the screen and it says, hang on, I’ve got to catch it unaware because of course it will increase as soon as I type in the number: The number of words that are in this book so far is 98,951 (including the number 98,951), but of course it’s more already – it’s relentless, nothing really stops, everything changes.

It’s a bit like that with life – as soon as you think you’ve got a handle on it, the second you think you’ve got it sussed – it changes, it becomes something else, that’s one of the consequences of getting older, you lose the certainty of youth, and when I say youth I don’t mean childhood, I mean adulthood, from your early twenties or whenever it is you feel as if you’ve grown up at last, all the way through to old age in your sixties or whenever it is you feel as if you’re old.

Continue reading

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Careful what you wish for . . .

At the end of next week – on Saturday January 7th, I will be appearing on stage at the Chapter Arts Centre in Cardiff along with a wonderfully disparate bunch of performers (which is what you might expect considering it’s a Wyrd Wonder happening). I won’t explain too much here but there is more info on the Facebook event page which should be accessible if you click this :- https://www.facebook.com/events/551824065014351/

The thing is I’m not sure what I’m going to do yet, but the fallback position is that I read a story or perhaps some poetry. What I would like to be able to do is some kind of stand-up comedy, or a funny narrative, something that will make people think they haven’t wasted their time sitting quietly for fifteen minutes watching some idiot making an idiot of himself.

So I thought of the opening joke:

“When I told my wife I was thinking of doing a stand-up comedy routine, she pissed herself laughing, so I knew I was onto a good thing . . .” – Ta-Da!

What do you think? It’s a bit Tim Vine isn’t it? In fact it probably is one of his that I’ve subconsciously absorbed and regurgitated.

I’m only kidding of course – ‘kidding’ – get it? (ha ha)

But seriously, I’m not serious about the stand-up idea – or am I?

Who knows, maybe I’ll see you then.

Cyfarchion y Tymor

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Tools of the Trade

tools-of-the-trade-rsSome work in progress.

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Reading and discussion at Cardiff Central Library Open Space Event

On December 15th 2016 from 5:45pm until 7:00pm I will be at Cardiff Central Library reading from and discussing two of my novels – Boys from the Backfields and Cheats and Liars. I might also discuss some of my other books and possibly talk a little bit about the publishing process.

Backfields-front 1 cover oct 8-2013Cheats-and-Liars-Front

The two novels

Boys from the Backfields  is a murder mystery set over half a century. The story begins in the 1960’s when Mick a young teenage boy and his little gang witness the murder of Betty Fish while out blackberry picking around the Backfields council estate in South Wales. Mick is haunted by this tragic event for the next 50 years until finally the truth is revealed and the mystery is solved.

Cheats and Liars is set in an affluent inner suburb of Cardiff and follows Brian Llewelyn, ‘The Greatest Living Artist in Wales’ as he comes to realise that his success depends on the sycophants, cheats and liars that share in it. The novel follows Brian as the foundations his life is based on crumble from under him and he has to redefine what is important.

There will also be plenty of time for any questions from the audience.

This is part of the Library’s Open Space Events series and it’s free but space is limited so it might be best to book through Eventbrite where if you search ‘Open Space Cardiff’ you should be able to find them, though, as I write this it may be too early for the December event’s listing.

More about Cheats and Liars

More about Boys from the Backfields

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More work in progress – abstract art

Quite a big canvas – 1200 mm x 1000mm – not sure if this is it or if it will change before it’s complete – will have a look tomorrow. Too dark to decide right now / / /

Work in Progress - Abstract Art

Work in Progress – Abstract Art

Update September 4th

Still work in progress

1200x1000mm-canvas-sept4-2016rs

And here is more progress . . . .

Still not sure it’s finished – it looks a lot more vibrant ‘in the flesh’

1200x100mm-canvas-sept4-A--2016-rsand finally – for now anyway

1200x100mm-canvas-sept4-B--2016-rsAnd really finally – here it is cropped imperfectly

The finished painting (probably)

The finished painting (probably)

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Blodyn – Legalise Poo

Here’s a painting from nearly 15 years ago – one of the first I did. It was painted on the back of a placard/protest sign that I had previously used in a satirical community play I wrote called ‘The History of Llangennech – Part 2’

Blodyn has become a bit of an icon for me since I painted her. She was used on the cover of my poetry collection “The Words in Me” and will be used again on the cover of my new collection “More Words in Me” due to be published in a couple of months.

Here she is:

blodyn-rsBlodyn – 2002: Acrylic on board: 520x670mm

And here’s the back of Blodyn

blodyn backLegalise Poo

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No style, no substance

writingWhat do I mean? I mean this is a short story with no style and no substance.
Why?
Why not? Style is taste, substance is an illusion.
Fair enough, but I don’t understand.
You don’t need to.
I mean I don’t understand the point of it.
Of what?
Your short story. This.
Nor me. In fact I’d go so far as to say that there is no point to it.
But what’s the point of that? Why should I read it?
I don’t know. Do you need a reason?
Well, yes, otherwise I’d be wasting my time, my breath, my life.
Look at me shrugging. Read what you like, or not. Who cares?
Well, you should, it’s your short story. Don’t you want people to read it?
Yes of course, but I still don’t care if they do or not.
That’s weird.
If you say so.
So what’s it about?
Nothing. It’s got no substance.
What’s the point . . . oh, never mind.
Good, you’re learning.
No I’m not.
Yes you are. You’ve learned that there’s no point.
No point to what?
No point trying to find a point in something that has no point.
Clever sod!
OK. If you say so.
I was being sarcastic.
Why?
Because you’re winding me up.
Why?
Because of your stupid story that has no style and no substance.
And no point.
Exactly.
So what’s the problem then?
You’re doing my head in.
Why?
With all this story nonsense.
Well you don’t have to read it.
You’re right.
Fuck off then . . . .

***********

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in a shell

Myself is in a shellinashell

Myself is in a shell,
Being hung up
And that.
I shed my shell,
From now
And then.
I am being sat;
Upon a wave
Of Freeness.
My shell is shed,
But what
Do I find to be done.
In the phase,
It’s hot
Outside, it’s muchly warm.
I am being moved myself,
But be looked
Onto Scorn

We Us-self do change
Our scenes and our shells
And in the interim of truth
We’ve such a much to tell

***

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Another Flower

Last Saturday I attended a screenprinting workshop at the Printhaus in Llandaff Road, Cardiff.

The Printhaus is an amazing and unique place which is equipped with comprehensive screenprinting facilities. I have always loved the idea of screenprinting and did a bit a very long time ago when we lived in a shared house in Cardiff associated with an Ashram in the seventies.

We used to print posters and sometimes on canvas bags.

blodyn-screenprintBlodyn – 16″ x 24″ (40cm x 60cm) – approx, on card – border added digitally

This is what I printed – actually this is a photoshopped photograph of what I printed, the original is much more organic and lovely.

Just 4 copies were printed and the stencils were washed off the screens in between each colour. As you can see it was designed in 4 colours – red for the hair/petals, dark reddish-brown for the face and lettering (although it looks more like black in the photo), green for the body and yellow for the features and the buttons.

Each of the four prints is unique because of the slightly arbitrary way the card was positioned under the screen when applying the paint through the stencil. The stencils were made of thin tracing paper and were destroyed during the process of cleaning the screens, so this truly is a limited edition.

blodynsall the little Blodyns drying after the workshop
Blodyn is Welsh for flower btw

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